manly virtue, human sorrow, solitude, common man and landscapes. Pendergast is considered the first true American modernist. Exemplary artist. Robert Henri (early-C20). He is considered the leader of "The Eight". He preferred older European masters over the moderns like Monet, Cézanne and Renoir. His style has been called "dark Impressionism". His paintings are sharply observant. Subsidiary artists: John Sloan, George Luks, William Glackens, Everett Shinn, Maurice Pendergast, Ernest Lawson, Arthur B. Davies. The Stieglitz Group. In early-C20, the influx of immigrants variegated the art scene. Alfred Stieglitz introduced avant- garde European art to Americans in his gallery. Stieglitz supported "art for art's sake", not for social significance. Dove is considered one of the earliest abstractionists and tried collage. Exemplary artists. Max Weber (early-C20). He combined the influences of Cézanne, Matisse, Rousseau and Cubism
manly virtue, human sorrow, solitude, common man and landscapes. Pendergast is considered the first true American modernist. Exemplary artist. Robert Henri (early-C20). He is considered the leader of "The Eight". He preferred older European masters over the moderns like Monet, Cézanne and Renoir. His style has been called "dark Impressionism". His paintings are sharply observant. Subsidiary artists: John Sloan, George Luks, William Glackens, Everett Shinn, Maurice Pendergast, Ernest Lawson, Arthur B. Davies. The Stieglitz Group. In early-C20, the influx of immigrants variegated the art scene. Alfred Stieglitz introduced avant- garde European art to Americans in his gallery. Stieglitz supported "art for art's sake", not for social significance. Dove is considered one of the earliest abstractionists and tried collage. Exemplary artists. Max Weber (early-C20). He combined the influences of Cézanne, Matisse, Rousseau and Cubism
Probleem on selles, et mōnikord vōivad need erinevad mina-skeemid olla omavahel vastuolus. Kui inimene usub et tema tegelik mina erineb oluliselt ideaalminast, siis ta on kurb ja masenduses. Samas reaalse ja ideaalmina vahelise erinevuse vähenemine võib tõsta inimese enesehinnangut. Võimalik mina (possible selves – arusaam sellest milliseks me võime muutuda) võib aga samuti tekitada negatiivseid tundeid. Mure võimalikust töötusest või eluaseme kaotamisest võib inimest rõhuda (Shinn & Weitzman 1990). Vastuolud tegeliku ja vōimaliku mina vahel vōivad aga tekitada süütunnet, pōlgust jne. Kui väheneb vahe tegeliku ja ideaalse vahel, siis see annab inimesele põhjust rahuloluks. Nt kui te tahate saada juhiks ja näete, et teid hakatakse üha enam mitmesuguste töögruppide etteotsa panema, siis see suurendab teie rahulolu endaga. See teooria vōimaldab seletada, miks mōned inimesed omandavad negatiivseid arusaamu iseenda kohta.
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