Moll Flanders – Moll spiralsup and down driven by a desire for money and the maintenance of her genteel status. A Journal of the Plague Year – graphically reconstructs the terrible events of 1665. Samuel Richardson: Pamela: or Virtue Rewarded – transformed the role of women in fiction. Form of letter, maidservant, defence of her sexual virtue, genteel marriage. Created a female prototype. Clarissa – innocent country girl, corrupted by the city, dies a saintly death. His work set 2 directions: exploration of an individual’s psychological and moral awareness, to purvey vicarious sexual experience and thus fulfil adolescent fantasies. Henry Fielding: established a pattern for comic novel. Joseph Andrews, Tom Jones (masterpiece), Amelia. Traces the hero’s life from a childhood and youth spent in Somerset through an unstable period on road, peopled by motley (kirev) cast of characters, ending in London. Brought to novels vivid narrative
falls from the racehorse. Karenin is also present at the races and remarks to her that her behaviour is improper. Anna, in a state of extreme distress and emotion, confesses her affair to her husband. Karenin asks her to break off the affair to avoid society gossip and believes that their relationship can then continue as previously. Kitty goes with her mother to a resort at a German spa to recover from her ill health. There they meet the Pietist Madame Stahl and the saintly Varenka, her adopted daughter. Influenced by Varenka, Kitty becomes extremely pious, but is disillusioned by her father`s criticism. She then returns to Moscow. Part 3 Levin continues his work on his large country estate, a setting closely tied to his spiritual thoughts and struggles. Levin wrestles with the idea of falseness, wondering how he should go about ridding himself of it, and criticising what he feels is falseness in others. He develops ideas relating to agriculture and the
DAMIS Who? I? Ask pardon of that cheating scoundrel . . . ? ORGON Do you resist, you beggar, and insult him? A cudgel, here! a cudgel! (To Tartuffe) Don't restrain me. (To his son) Off with you! Leave my house this instant, sirrah, And never dare set foot in it again. DAMIS Yes, I will leave your house, but . . . ORGON Leave it quickly. You reprobate, I disinherit you, And give you, too, my curse into the bargain. SCENE VII ORGON, TARTUFFE ORGON What! So insult a saintly man of God! TARTUFFE Heaven, forgive him all the pain he gives me! [4] [Footnote 4: Some modern editions have adopted the reading, preserved by tradition as that of the earliest stage version: Heaven, forgive him even as I forgive him! Voltaire gives still another reading: Heaven, forgive me even as I forgive him! Whichever was the original version, it appears in none of the early editions, and Moliere probably felt forced to change it on account of its too close
levels, having to do with sheer survival, sex, and power, all below the belt line. Some are lucky enough to progress to the heart chakra and experience love. Few reach the level of the throat chakra that allows for expression of the other drives. Writers and artists may be among these. W i t h spiritual enlightenment the sixth chakra, in the region of the "third eye," can be opened, sometimes granting psychic abilities, and for a very few saintly people, the seventh or crown chakra may flower, showering the fully awakened person with a fountain of divine grace. T h e s e symbols can be useful in charting the development of a character, giving metaphors for the stages of change and growth. Some people don't ascend the ladder of emotional development in proper order but may skip up to open two or more chakras at different levels, with very different effects and many possible combinations
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