Adam Reincken. In January 1703, shortly after graduating and failing an audition for an organist's post at Sangerhausen, Bach took up a post as a court musician in the chapel of Duke Johann Ernst in Weimar, a large town in Thuringia. His role there is unclear, but appears to have included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboard player spread. He was invited to inspect and give the inaugural recital on the new organ at St. Boniface's Church in Arnstadt. The Bach family had close connections with this oldest town in Thuringia, about 40 km to the southwest of Weimar at the edge of the great forest. In August 1703, he accepted the post of organist at that church, with light duties, a relatively generous salary, and a fine new organ tuned to a modern system that allowed a wide range of keys to be used. At this time, Bach
Võiks öelda, et kui virtuoossus saavutas oma kulminatsiooni 1847. aasta paiku, siis ühtlasi see punkt tähistab ka virtuoossuse taandumist kindlalt fikseeritud kunstiteose ja interpretatsiooni ees. Virtuoossus ei kadunud, aga virtuoossuse printsiibi asemele astus 19. sajandi teisel poolel teose interpreteerimine, virtuoossus polnud enam keskne nähtus. Juba eelpool mainisime, et sooloõhtud hakkasid levima 19. sajandi teisel poolel (ingl k kasutati nimetust Recital, pr k Soirée). Selle kavasse kuulusid nii virtuoossed palad kui ka sonaat interpretatsiooni objekt. Ka virtuoosid suhtusid teosesse järjest enam kui omaette suurusesse, kui kunstiteosesse, mille terviklikkust ei tohi rikkuda. Esituse keskpunktis on nüüd teos, mitte interpreet. Interpreet peab püüdma teose ,,vaimu" edasi anda, ta näeb vaeva muusikalise teksti tõlgendamise ehk interpreteerimise kallal. Ka
everything in my power to separate my friend from your sister, or that I rejoice in my success. Towards him I have been kinder than towards myself." Elizabeth disdained the appearance of noticing this civil reflection, but its meaning did not escape, nor was it likely to conciliate her. "But it is not merely this affair," she continued, "on which my dislike is founded. Long before it had taken place my opinion of you was decided. Your character was unfolded in the recital which I received many months ago from Mr. Wickham. On this subject, what can you have to say? In what imaginary act of friendship can you here defend yourself? or under what misrepresentation can you here impose upon others?" "You take an eager interest in that gentleman's concerns," said Darcy, in a less tranquil tone, and with a heightened colour. "Who that knows what his misfortunes have been, can help feeling an interest in him?" "His misfortunes
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