men and women, comes out of his appreciation for the linkage between the body and the soul and the communion that can come through physical contact. He also has great respect for the reproductive and generative powers of the body, which mirror the intellect's generation of poetry. The Civil War diminished Whitman's faith in democratic sympathy. While the cause of the war nominally furthered brotherhood and equality, the war itself was a quagmire of killing. Reconstruction, which began to fail almost immediately after it was begun, further disappointed Whitman. His later poetry, which displays a marked insecurity about the place of poetry and the place of emotion in general (see in particular "When Lilacs Last in the Dooryard Bloom'd"), is darker and more isolated. Whitman's style remains consistent throughout, however. The poetic structures he employs are unconventional but reflect his democratic ideals
Geopolitics. Routledge, pp. 295-313 - Ó Tuathail, Gearoid 1998. De-Territorialized Threats and Global Dangers: Geopolitics and Risk Society. (Working Paper) - Dodds, Klaus 1998. Enframing Bosnia: The Geopolitical Iconography of Steve Bell, in G. Ó Tuathail and S. Dalby (eds) Rethinking Geopolitics. Routledge, pp. 170-197 - Ó Tuathail, Gearoid 1995. An Anti-geopolitical Eye: Maggie O’Kane in Bosnia, 1992-93. Working paper - Ó Tuathail, Gearoid 1996. Between a Holocaust and a Quagmire: “Bosnia” in the U.S. Geopolitical Imagination, 1991-1994, in G. Ó Tuathail Critical Geopolitics. Routledge, pp. 187-223 - Ó Tuathail, Gearoid 1996. Visions and Vertigo: Postmodernity and the Writing of Global Space, in G. Ó Tuathail Critical Geopolitics. Routledge, pp. 225-256 Tekstid ja kaardid - Sõjad kaartidel. Eesti Entsüklopeedia kirjastus. 2005. Tallinn; - Wood, Denis 1992. Maps Work by Serving Interests, in D. Wood The Power of Maps. The Guilford Press, pp. 4-27
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