28 Lee Shau Kee 83 19 29 Alexei Mordashov 45 18,5 30 Michael Bloomberg 69 18,1 30 Jeff Bezos 47 18,1 32 Michele Ferrero & family 84 18 32 Mikhail Prokhorov 45 18 34 Vladimir Potanin 50 17,8 35 Alisher Usmanov 57 17,7 36 Azim Premji 65 16,8 36 Oleg Deripaska 43 16,8
79,5 1 Carlos Slim Helu & family 71 39 German Larrea Mota Velasco & family 57 66 Alberto Bailleres Gonzalez & family 79 69 51 Aliko Dangote 53 53 14 Vladimir Lisin 54 29 Alexei Mordashov 45 32 Mikhail Prokhorov 45 34 Vladimir Potanin 50 35 Alisher Usmanov 57 36 Oleg Deripaska 43 43 Mikhail Fridman 46 50 Vagit Alekperov 60 53 Roman Abramovich 44 57 Viktor Vekselberg 53 70 Viktor Rashnikov 62 88 Iskander Makhmudov 47
51 Aliko Dangote 53 53 29 Alexei Mordashov 45 35 Alisher Usmanov 57 93 Dmitry Rybolovlev 44 92 German Khan 49 88 Iskander Makhmudov 47 99 Leonid Mikhelson 55 43 Mikhail Fridman 46 32 Mikhail Prokhorov 45 36 Oleg Deripaska 43 53 Roman Abramovich 44 50 Vagit Alekperov 60 70 Viktor Rashnikov 62 57 Viktor Vekselberg 53 14 Vladimir Lisin 54 34 Vladimir Potanin 50 50,26667 63 Mohammed Al Amoudi 66
75 Luis Carlos Sarmiento 78 10,5 89 Maria-Elisabeth & Georg Schaeffler N/A 9,8 89 Maria-Elisabeth & Georg Schaeffler N/A 9,8 52 Mark Zuckerberg 26 13,5 30 Michael Bloomberg 69 18,1 44 Michael Dell 46 14,6 38 Michael Otto & family 67 16,6 32 Michele Ferrero & family 84 18 43 Mikhail Fridman 46 15,1 32 Mikhail Prokhorov 45 18 63 Mohammed Al Amoudi 66 12,3 9 Mukesh Ambani 53 27 77 Nasser Al-Kharafi & family 67 10,4 36 Oleg Deripaska 43 16,8 57 Paul Allen 58 13 97 Petr Kellner 46 9,2 60 Phil Knight 73 12,7 26 Prince Alwaleed Bin Talal Alsaud 56 19,6
The thoughts of Artur Kapp rotate in a closed circle, being near to the nature of divertissement. The lack of challenges allows the core of real symphonism to be felt. The primary incentive for symphonic creation, philosophical mode of thought, belonged to the nature of Artur Kapp. It was combined with a strong bias to the dramatic. Kapp developed his thoughts through the breadth of vision, not paying too 1 First performed by ERSO, 30 Sept. 1948, under Sergey Prokhorov. much attention to refined details. His ideological aim was to advance the struggle and development of despair and hardship towards the light. The building materials for him were rocks. He did not like the finishing touches… A great philosophic seriousness, honesty in work, evocativeness, profound love of classical music, escape from the ravishing Bohemian spirit, cordiality, a peculiar humour, which could occur as satire, the grotesque or sarcasm; all this was combined in him. 1
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