form. In a vast number of cases poetic lines present a blend of several metrical patterns. 15. Typically English stanzas These are poetic forms that evolved during the centuries and a part and parcel of classical English versification. They have a fixed number of lines, a certain pattern of metre and rhyme, and the length of lines. The main stanza patterns are: · The heroic couplet--a stanza containing two iambic pentameters rhyming in pairs (aa bb cc) It is called "heroic" because it has been much used in translating epic or Heroic poetry. This verse form may assume the shape of triplet, in which the third, called Alexandrine, has six iambic feet instead of five. · The ballad stanza comprises four lines consisting of alternate iambic tetrameters and trimesters and rhyming a b a b. It must be distinguished from the ballade, a
The name comes from the use of this stanza by the king James I of Scotland. 6. Terza rima a verse written in triplets, lines being iambic pentametres (5 feet), rhyming: aba bcb cdc, etc. ending with a couplet to avoid 1 word unrhymed. 7. Sonnet is a poem that originated in Italy and was adopted in England in the 16 th century. There are 2 types of English sonnets Petrarchan (Italian) and Shakespearean (English). Both contain 14 iambic pentameters. The difference between the 2 is mainly a matter of rhyme. 8. Limerick is a funny poem of nonsense comprising 5 anapaestic lines, rhyming: a a b b a; with the 3rd and 4th lines shorter than the other 3. 16. RHYTHM IN POETRY AND IN PROSE Rhythm is a concept that applies to any phenomenon or process that is characterized by orderly sequences, by harmonic coordination of different elements
6. Terza rima a verse written in triplets, lines being iambic pentametres (5 feet), rhyming: aba bcb cdc, etc. ending with a couplet to avoid 1 word unrhymed. 7. Sonnet is a poem that originated in Italy and was adopted in England in the 16 th century. There are 2 types of English sonnets Petrarchan (Italian) and Shakespearean (English). Both contain 14 iambic pentameters. The difference between the 2 is mainly a matter of rhyme. 8. Limerick is a funny poem of nonsense comprising 5 anapaestic lines, rhyming: a a b b a; with the 3rd and 4th lines shorter than the other 3. RHYTHM IN POETRY AND IN PROSE ("Rhythm and Text") Rhythm is a concept that applies to any phenomenon or process that is characterized by orderly sequences, by harmonic coordination of different elements. In prose rhythm is defined as
unkeyed transposition. Often many anagrams are possible: live, veil, evil, vile, and Levi are all anagrams of the "ciphertext" EILV, each as valid as the next. As the number of letters involved rises, the possible anagrams increase in geometric proportion. The 31 letters of the angelic salutation, "Ave Maria, gratia plena, Dominus tecum," have afforded thousands of different anagrams, all perfect in spelling, diction, and syntax. One zealot turned out 1,500 pentameters and 1,500 hexameters; another 3,100 anagrams in prose and an acrostic poem; another composed a "Life of the Virgin" in 27 anagrams—all these of the salutation. Newbold tended to anagram Bacon's message in blocks of 55 or 110 letters. How certain could he then be that his anagram was the right one? The answer is that he could not be certain at all. Manly also showed that the alleged shorthand signs were nothing more than the breaking up of the thick ink on the rough surface of the
annaabi.ee 
