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Masques centre of court life. Stuart divinity + now queen as a Platonic love goddess. Maria – from French court amnners and highly artificial language of adoration – fashion. Idealised love wiped away all stains. Through their harmony, Charles could make his heavenly ascent and bring great benefits to their obedient subjects. Very costy. Closed court, believed in masques. 3. 17th century „metaphysical” poetry (Donne, Quarles, Herbert, Crashaw, Vaughan, Marvell) Religious poetry, books of emblems (allegorical pictures, verses explaining their moral), unconventional or „unpotic” figures like compass or mosquito to reach surprise effects, paradox and oxymoron. About the profound areas of experience: love (romantic and sexual), man’s relationship with God. Brief but intense meditations, striking use of wit, irony and wordplay. John Donne: passionate feeling and logical argument are mixed, play of intellect, conceits (extended
Essex: Longman. Chesters, Graham. 2007 “Philip Larkin and the Poetics of Resistance.” About Larkin 23. Cooper, Stephen. 2004. Philip Larkin: Subversive Writer. Brighton: Sussex Academic. Everett, Barbara. 1986. “Philip Larkin: After Symbolism”. Essays in Criticism, XXX: 230-44. Guillén, Jorge. 1969. Lenguaje y poesía. Madrid: Alianza. Haffenden, John. 1981. Viewpoints: Poets in conversation. Londres. Hartley, George. 1988. Philip Larkin. 1922-1985. A tribute. Londres: The Marvell Press. István D., Rácz. 2011. Philip Larkin's Poetics: Theory and Practice. Larkin, Philip. 1983. Required Writing: Miscellaneous Pieces 1955-1982. Levi, Peter. 1986. “The English Wisdom Of A Master Poet”, en Chambers (ed.): 33-35 Martínez Victorio. 2002. San Lorenzo del Escorial: Libros C. de Langre. McKeown, Andrew and Charles Holdefer. 2006. Philip Larkin and the Poetics of Resistance. Paris: L’Harmattan. Pater, Walter. 2003 (1889). El estilo
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