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Shakespeare's Julius Caesar: "Yon Cassius has a lean and hungry look. / He thinks too much. Such men are dangerous" (I.ii.195196). Napoleon also springs to mind as a historical model for Kantorek. The inclusion of a seemingly anachronistic literary type--the scheming or dangerous diminutive man--may seem out of place in a modern novel. Yet this quality of Kantorek arguably reflects the espousal of dated ideas by an older generation of leaders who betray their followers with manipulations, ignorance, and lies. "While they taught that duty to one's country is the greatest thing," Paul writes in Chapter One, "we already knew that death-throes are stronger." As schoolboys, Paul and his friends believed that Kantorek was an enlightened man whose authority derived from his wisdom; as soldiers, they quickly learn to see through Kantorek's rhetoric and grow to despise him, especially after the death of Joseph Behm. That
g. furred Elf variants result from outcrosses to diversify the gene pool. The Dwelf also combines curl ears with hairlessness, but adds Munchkin and Highlander (a bobtailed, curl-eared polydactyl breed) to the mix. These combine hairlessness, curled ears and short legs. Non-standard (long legged) Dwelfs may resemble the Elf breed. IRISH SHORT-EARED CAT Described in a light-hearted book depicting cats which had been "painted" with vegetable dye (in fact all painted cats were photo-manipulations), the Irish Shortear is a mutant-eared cat that never was. This footnote has been included because people have asked where to find an Irish Shortear! The book in question was the spoof "Why Paint Cats" and the fake breed among genuine breeds was the Irish Shortear. It was described as Burmilla x Scottish Fold with large protuberant eyes, short ears and very relaxed nature due its excellent vision. The photo was
cinating, four-decade-old research program of Turkish-born social scientist Muzafer Sherif and his colleagues (Sherif, Harvey, White, Hood, &; Sherif, 1961). In- trigued with the issue of intergroup conflict, the research team decided to investi- gate the process as it developed in boys' summer camps. Although the boys never realized that they were participants in an experiment, Sherif and his associates con- sistently engaged in artful manipulations of the camp's social environment to ob- serve the effects on group relations. What the researchers learned is that it didn't take much to bring on certain kinds of ill will. Simply separating the boys into two residence cabins was enough to stimulate a "we versus they" feeling between the groups; letting the boys assign names to the two groups (the Eagles and the Rattlers) accelerated the sense of ri- valry. The boys soon began to demean the qualities and accomplishments of the