characteristics 3.flagship brand - most important and powerful brand owned by an organization 4.generic brand - brand which is used on a variety if different products of the same company 5.brand stretching - a marketing strategy in which a company uses the same brand name of a product with a well-developed image in a different product category or for a new product . 6.brand dilution - making the brand less powerful INTERNET SECURITY 1.hackers - illegal penetrators 2.infiltrate - illegal penetration in order to steal or destroy the information 3.denial of service attack - an attempt to make a network resource unavailable to its intended users 4.virus - program designed to make computers malfunction 5.anti-virus programs - used to prevent detect and remove malware 6.Trojan horses - malware which appears to perform a desirable function but instead drops a malicious payload, often including a backdoor allowing unauthorized access to the target's computer 7
It's difficult to describe. It's a heist movie. It's a love story. It's a psychological thriller like no other before it. Leonardo DiCaprio plays Dom Cobb. Dom is a professional extractor, paid to invade people's subconscious and steal information that lays nuzzled in their psyche. His team consists of the point man Arthur (Joseph Gordon-Levitt), the architect Ariadne (Ellen Page), and the forger Eames (Tom Hardy). They are hired by Mr. Saito (Ken Watanabe) to infiltrate Robert Fischer's (Cillian Murphy) head to peform an inception to create and plant an idea in his mind. The problem is that memories of Dom's mysterious wife Mal (Marion Cotillard) and children keep invading his dreams, and won't let him accomplish the job without constantly throwing him off task. These haunting demons fill Cobb's head, and he just wants to find his way back to reality to be reunited with his children once again. That's
277.Historic garden- ajalooline aed 278.Hollow area- nõgus ala 279.Homage to nature austusavaldus loodusele 280.Horticulture-haljandus 281.Horticulturist-aednik 282.Hospitable kasulik 283.Human amenity- inimesele kohane mugavus 284.Humid regions niisked piirkonnad I 285.imitate jäljendama 286.Immaculate veatu, laitmatu 287.Impact to environment mõju keskkonnale 288.Inelegant- maitsetu, ebaelegantne 289.Infiltrate sisse tungima 290.Influence on design mõju disainile 291.Informal vabakujuline 292.inlet - sissepääs 293.Interior- sisemaa, siseruum 294.Intervention sekkumine 295.Invaluable hindamatu 296.Inverted application pööratud rakendus 297.Involve managing sisaldab haldamist/juhtumist 298.irrigate niisutama 299.Irrigation - kastmine K 300.Kiosk- paviljon, suvemaja L 301.Labor-intensive - töömahukas 302
bility is suggested by his name, revealed for the first time as "Devlin." As he advances into the room to deliver the Call to Adventure, Hitchcock follows him in a dizzying point-of-view shot that reflects the hung-over state of the hero, Bergman, as she lies in bed. Grant seems to walk on the ceiling. In the symbolic language of film the shot expresses his change of position from playboy to Herald, and its disorienting effect on the hero. Grant gives the Call, a patriotic invitation to infiltrate a Nazi spy ring. As it is delivered, Grant is seen right side up and in full light for the first time, representing the Call's sobering effect on Bergman's character. As they talk, a crown-like, artificial hairpiece slides from Bergman's head, showing that her fairy tale existence as a deluded, addicted princess must now come to an end. Simultaneously on the soundtrack can be heard the distant call of a train leaving town, suggesting the beginning of a long journey
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