Poetry: Italian influences, sonnet (English: cddc ee) Rulers of England: Henry VII (brings prosperity, repairs economic situation; made alliances); Henry VIII (beginning of English reformation; killed "traitors"; 6 marriages); Mary I (Catholic); Elizabeth I (The Virgin Queen restores order; Religious Settlement; cautious measures in foreign affairs) Authors: Thomas Kyd's "The Spanish Tradegy" (revenge); Christopher Marlowe (moral dramas; blank verse); Ben Jonson (comedies; theory of humors, caricature and satire); Edmund Spenser's "Faerie Queen" (longest, most famous poem; Spenserian stanza) Late Renaissance (until 17th century) humanism a set of ethics about how people should live/act Prose: influence of reformation on liturgical material; King James Bible (translation) Poetry: metaphysical poetry (unusual metaphors, simple verse forms, witty parallels between things) History: Union of Crowns (1603); English Civil War (16421651) Oliver Cromwell (d 1659);
perience which occurred in an exemplary fashion to the young De Quincey, so gifted in Greek that in order to translate into that dead language certain absolutely modern ideas and images, Baudelaire tells us, “he created for it a standing dictionary much more complex and extensive than the one which results from the vulgar patience of purely literary themes” (Paradis Artificiels). succeeding the Author, the writer no lon- ger contains within himself passions, humors, sentiments, impressions, but that enor- mous dictionary, from which he derives a writing which can know no end or halt: life can only imitate the book, and the book itself is only a tissue of signs, a lost, infinitely remote imitation. — Once the Author is gone, the claim to “decipher” a text becomes quite useless. To give an Author to a text is to impose upon that text a stop clause, to furnish it with a final