Rosencrantz and Guildenstern - Two slightly bumbling courtiers, former friends of Hamlet from Wittenberg, who are summoned by Claudius and Gertrude to discover the cause of Hamlet's strange behavior. Osric - The foolish courtier who summons Hamlet to his duel with Laertes. Voltimand and Cornelius - Courtiers whom Claudius sends to Norway to persuade the king to prevent Fortinbras from attacking. Marcellus and Bernardo - The officers who first see the ghost walking the ramparts of Elsinore and who summon Horatio to witness it. Marcellus is present when Hamlet first encounters the ghost. Francisco - A soldier and guardsman at Elsinore. Reynaldo - Polonius's servant, who is sent to France by Polonius to check up on and spy on Laertes. Analysis of Major Characters Hamlet Hamlet has fascinated audiences and readers for centuries, and the first thing to point out about him is that he is enigmatic
Võttes tõsiselt kuulda kolleegide soovitusi, keskenduski Andersen kirjutamisele ning luuletamisele. Jonas Collin, kes oli juba varasemast ajast soovinud Anderseniga kohtuda, kiindus koheselt tema andesse ja saatis ta viivitamatult huminitaargümnaasiumisse ning oli nõus maksma tema hariduse eest. Kui Andersen sai 22-aastaseks avaldas ta ka oma esimese raamatu, milleks oli „The Ghost at Palnatoke's Grave”. Kuna Andersen ei olnud just kõige nutikam õpilane, käis ta ka viis aastat Elsinore koolis. Ta lõpetas selle kooli aastal 1827. Anderseni arvates oli koolis käimise aeg tema elus üks tumedaim ning jubedust tekitavaim periood üldse. Ta elas oma klassikaaslaste juures. Seal osutus ta üsna tihti kiusamise ohvriks ja talle öeldi mitmel korral, et ta peaks parandama enda käitumist ning iseloomu. Sellega rikuti peamiselt tema julgus kirjutada ja neid teoseid avaldada, kuna selline kohtlemine põhjustas Andersenis deperessiooni.
• Julius Caesar (1599) • Othello (1603) • The Merchant of Venice (1598) • Much Ado About Nothing (1600) • King Lear (1606) • The Taming of the Shrew (1594) • The Comedy of Errors (1594) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 3 Act I SCENE I. Elsinore. A platform before the castle. FRANCISCO at his post. Enter to him BERNARDO BERNARDO Who's there? FRANCISCO Nay, answer me: stand, and unfold yourself. BERNARDO Long live the king! FRANCISCO Bernardo? BERNARDO He. FRANCISCO You come most carefully upon your hour. BERNARDO 'Tis now struck twelve; get thee to bed, Francisco. FRANCISCO For this relief much thanks: 'tis bitter cold, And I am sick at heart. BERNARDO
with huge animals that seem to leap across the ceiling in the flickering candle light. It would be a perfect stage to initiate young people into the mysteries of the tribe, its deepest beliefs, the essence of its compact with nature. I can testify to the still-impressive power of a candle in a dark place to animate things. It is the cheapest but most effective of special effects. I was visiting Hamlet's castle at Elsinore, or Helsingor as the Danes call it, on a tip of Denmark, facing Sweden across a short expanse of water. In the frigid crypts of the castle is kept a brooding statue of Denmark's version of King Arthur or El Cid, shown as a rugged V i k i n g sitting on his throne with a drawn sword across his knees. H e is Holger Danske, Ogier the Dane, one of Charlemagne's paladins and Denmark's legendary protector in time of need. Troops of Danish schoolchildren and tourists
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