emotions. Also the supernatural represented emotions. For example: love-cupids, fear -demons, and many other characteristics. Individuality- it was all about loosing formal constraints, giving way to artists to show their individual ideas and emotions. Heroism- Heroism didn't just mean the supernatural. Many people, like Beethoven, believed that the common man could be heroes. Artists painted this idea during the Romantic Age. Artists: J.M.W. Turner, Albert Bierstadt and Thomas Cole The picture is painted by Thomas Cole : " The voyage of life"
1. VÕIMU OLEMUS Ükskõik millises kontekstis sõna võim ka ei kasutata, eeldame, et nii kõneleja kui ka kuulaja-lugeja teavad, millest räägitakse, sest võim tundub olevat mõiste, mille sisu on enesestmõistetavalt selge kõigile. Paraku on võimu defineerimine osutunud keerulisemaks, kui arvati. Siiani pole suudetud võimu määratleda nii, et suurem osa teoreetikuid sellega rahul oleks. Arvatakse, et me kõik teame väga hästi, mis on võim selle hetkeni, mil meilt seda küsitakse (Bierstadt 1950, viidatud V.Partsi 2006 järgi). Max Weber on öelnud lühidalt, et võim on inimese võime sundida oma tahet peale teistele inimestele. Raoul Üksvärav (2004: 177) defineerib võimu järgnevalt, võim on juhi võime mõjutada alluvate tegutsemist ja käitumist, laskmata alluvatel abasoovitavalt mõjutada enda tegutsemist ja käitumist. Ilmekalt iseloomustab võimu olemust ja osa Hando Runnel: "Kui võtta riigi juhtimist kui suurt tööd, siis vajatakse võimuga ümberkäitumise oskust
The tradition of landscape art emerged in the 1820s through the work of the so-called Hudson River School. The school of "luminism" is also distinguished, it is interested in the phenomenon of light. Exemplary artists. Thomas Cole (early-C19). He painted more in the Romantic mold than his contemporaries. He was inspired by the valleys of Catskill Mountains. He depicted lonely wilderness and apocalyptic visions. Albert Bierstadt (late-C19). He painted the last frontier, the heroic landscape of the country. He compiled a portfolio of sketches during the mapping of a trail across the Rocky Mountains to California which became the basis for the gigantic paintings of western scenery. Subsidiary artists: Thomas Doughty, Asher B. Durand, Samuel F. B. Morse, John F. Kensett, Thomas W. Whittredge, Robert Salmon, Fritz H. Lane, Martin J. Heade, Frederic E. Church, George Inness. Genre
The tradition of landscape art emerged in the 1820s through the work of the so-called Hudson River School. The school of "luminism" is also distinguished, it is interested in the phenomenon of light. Exemplary artists. Thomas Cole (early-C19). He painted more in the Romantic mold than his contemporaries. He was inspired by the valleys of Catskill Mountains. He depicted lonely wilderness and apocalyptic visions. Albert Bierstadt (late-C19). He painted the last frontier, the heroic landscape of the country. He compiled a portfolio of sketches during the mapping of a trail across the Rocky Mountains to California which became the basis for the gigantic paintings of western scenery. Subsidiary artists: Thomas Doughty, Asher B. Durand, Samuel F. B. Morse, John F. Kensett, Thomas W. Whittredge, Robert Salmon, Fritz H. Lane, Martin J. Heade, Frederic E. Church, George Inness. Genre
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