wallpaper what is washable. In livingroom we have painted walls and in bathrooms we have red tiles on the wall, the joint are made of grey mortar. All the windows are casements type, what means they are side hung on hinges. We have double package windows. Head of window is made of plastic and is white. There are also a lot of sealers to make windows warmer. Our external door is made of steel, because it has a security purpose. Internal doors are made of timber. There are also architrave what helps to hold door closed. Actually we have one french window to move to the balcony. In conclusion I can say that every house consist of elements what in turn are made up of components as well as my house. My home construction is quite simple, it consists of commonly used strip foundtation, cross walls, timber and concrete floors and typical truss roof. Secondary elements in my house are also commonly used, there are casement windows and timber doors.
and flourishes and broken curves; intimate Rococo interiors suppress architectonic divisions of architrave, frieze and cornice for the picturesque, the curious, and the whimsical, expressed in plastic materials like carved wood and above all stucco (as in the work of the Wessobrunner School). Walls, ceiling, furniture, and works of metal and porcelain present a unified ensemble. The Rococo palette is softer and paler than the rich primary
" These procedures °f acrophony and the rebus are essentially those of ordinary Egyptian writing; it was through them that the hieroglyphics originally acquired their sound values. The Egyptian transformations merely carry them further, elaborate them, and make them more artificial. The transformations occur in funerary formulas, in a hymn to Thoth, in a chapter of the Book of the Dead, on the sarcophagus of the pharaoh Seti I, in royal titles dis- played in Luxor, on the architrave of the Temple of Luxor, on stele, in laudatory biographic inscriptions. There is nothing meant to be concealed in all this; indeed, many of the statements are repeated in ordinary form right next to the altered ones. Why, then, the transformations? Sometimes for essentially the same reason as in Khnumhotep's tomb: to impress the reader. Occasionally for a calligraphic or decorative effect; rarely, to indicate a contemporary pronunciation; perhaps even for a deliberate archaism as a reaction
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