b) root words have just a root (nt, car, post) c)compounds (liitsõnad) have 2 or more stems put together. Stems may be simple(nt, ice-cream, ice and cream are stems) d)compound derivatives -2 stems joined and an affix is added to them both (nt, kind-heart-ed) 8. Affixation Affixes are used to build new words and they have quite an abstract meaning (nt, mad-ness, ness is suffix) Prefix prefix plus stem (nt, verbs: to enrich, disagree; adj: antiwar, uneasy; noun: exwife) There are 25 prefixes that change the word to a different part of speech (nt, to debus to get off the bus) Suffixation stem plus suffix (nt, hood plus child is childhood, friendship, readyness, government). New forming suffixes (-ance, -dom, -ee, -er, -ing, -ness) Adj forming suffixes(suit-able, tempora-ry, beauti-ful, penny-less, famou-s) numeral forming suffixes(four-teen, four-ty, fif-th) Adverb forming suffixes(slow-ly, home-wards)
army. Kat, as he is known, is forty years old at the beginning of the novel and has a family at home. He is a resourceful, inventive man and always finds food, clothing, and blankets whenever he and his friends need them. Albert Kropp - One of Paul's classmates who serves with Paul in the Second Company. An intelligent, speculative young man, Kropp is one of Paul's closest friends during the war. His interest in analyzing the causes of the war leads to many of the most critical antiwar sentiments in the novel. Müller - One of Paul's classmates. Müller is a hardheaded, practical young man, and he plies his friends in the Second Company with questions about their postwar plans. Tjaden - One of Paul's friends in the Second Company. Tjaden is a wiry young man with a voracious appetite. He bears a deep grudge against Corporal Himmelstoss. Kantorek - A pompous, ignorant, authoritarian schoolmaster in Paul's high school during the years before the war
generation (the anger and hatred that lives in humans as the pain-body), then those films can fulfill a vital function in the awakening of humanity. They can act as a mirror in which humanity sees its own insanity. That in you which recognizes madness as madness (even if it is your own) is sanity, is the arising awareness, is the end of insanity. Such films do exist and they do not fuel the pain-body. Some of the best antiwar films are films that show the reality of war rather than a glamorized version of it. The pain-body can only feed on films in which violence is portrayed as normal or even desirable human behavior, or that glorify violence with the sole purpose of generating negative emotion in the viewer and so become a “fix” for the pain-addicted pain-body. The popular tabloid press does not primarily sell news but negative emotion – food for the pain-body. “Outrage” screams the three-inch
annaabi.ee 
