The Intouchables Information The Intouchables was directed/screenwriter by Olivier Nakache, Eric Toledano. Starred François Cluzet, Omar Sy. And more cast was Audrey Fleurot, Clotilde Mollet, Anne Le Ny, Alba Gaïa, Kraghede Bellugi, Cyril Mendy, Christian Ameri, Grégoire Oestermann, Marie-Laure Descoureaux, Absa Dialou Toure and Salimata Kamate. The movie was based on the real story. He film won the Tokyo Sakura Grand Prix award given to the best film at the Tokyo International Film Festival and the Award for Best Actor to both Francois Cluzet and Omar Sy in 2011. At the César Awards 2012, the film received eight nominations. Omar Sy received the César Award for Best Actor on 24 February 2012 for the role of Driss (defeating Jean
10.1971 42 Transport KOks Kristiina Oks naine 14.09.1958 55 Transport TRaja Tiina Rajamäe naine 15.11.1971 42 Transport PBurm Priit Burmeister mees 7.02.1983 31 Transport ADani Ahto Danilov mees 24.02.1968 46 Transport JKaas Jaan Kaasik mees 21.06.1949 64 Transport BKüün Boris Küünemäe mees 12.09.1975 38 Transport AMalv Aadu Malva mees 5.09.1958 55 Transport AMeri Arnold Merilaid mees 24.08.1954 59 Transport PNaab Paul Naaber mees 21.12.1965 48 Transport ANõmm Ando Nõmmik mees 22.08.1977 36 Transport AOks Aarne Oks mees 13.01.1950 64 Transport HPeda Hanno Pedak mees 26.07.1969 44 Transport MRoos Margus Roosimägi mees 20.11.1971 42 Transport kasvamise, ding (kasvav) või erida e ja ametite järjekord Amet Palk
12.1953 60 Tootmine AVälj Arvi Väljas mees 6.04.1965 49 Tootmine PBurm Priit Burmeister mees 7.02.1983 31 Transport ADani Ahto Danilov mees 24.02.1968 46 Transport JKaas Jaan Kaasik mees 21.06.1949 64 Transport BKüün Boris Küünemäe mees 12.09.1975 38 Transport AMalv Aadu Malva mees 5.09.1958 55 Transport AMeri Arnold Merilaid mees 24.08.1954 59 Transport PNaab Paul Naaber mees 21.12.1965 48 Transport ANõmm Ando Nõmmik mees 22.08.1977 36 Transport AOks Aarne Oks mees 13.01.1950 64 Transport HPeda Hanno Pedak mees 26.07.1969 44 Transport MRoos Margus Roosimägi mees 20.11.1971 42 Transport EBerk Elvi Berk naine 6.10
MMaas Madis Maasalu mees 9/10/1943 9 sügis MMaas Margus Maasalu mees 9/3/1950 9 sügis AMalv Aadu Malva mees 9/5/1958 9 sügis TMark Tiina Markus naine 8/23/1982 8 suvi AMarm Aare Marmor mees 8/2/1944 8 suvi RMeig Reijo Meigas mees 6/19/1945 6 suvi AMeis Anton Meister mees 12/18/1941 12 talv AMeri Arnold Merilaid mees 8/24/1954 8 suvi KMets Kaivo Mets mees 3/3/1962 3 kevad AMiks Aarne Mikson mees 3/3/1973 3 kevad KMill Kersti Miller naine 9/13/1981 9 sügis RMuld Reijo Muld mees 3/26/1970 3 kevad VMäes Valve Mäesalu naine 3/3/1959 3 kevad KMägi Kristjan Mägi mees 6/8/1979 6 suvi
than 6 seconds on the screen, because "this would cause automatic re-reading of the subtitle, especially by fast readers". These statements have been decisive to the creation of the so-called "6 second rule", which has become a best-known teaching standard for subtitling over the years. Mayoral (2001, 4) mentions variable reading speeds for cinema (10 frames per foot of film--between 14 and 15 characters per second), as used by the Ameri- can company 20th Century Fox, while the values for television and video would be lower. The author also mentions the television subtitling software program used by the company Screen Subtitling System Ltd, which proposes reading speed fig- ures of 9 characters per second for adults, and half to two third equivalent ones for children. As far as the usage of reading speeds expressed in WPM and how adequate it may be in different countries, Mayoral affirms:
m i.) Sa hara Africa 3,500 ,000 Gobi Asia 500,000 Libya n Africa 450,000 Sono ran No rt h Ameri ca 120,000 Oceans Arct ic Ocean Atlantic Ocean Area: 5,426 ,000 sq. mi . Area: 3 1,73 6,000 sq . mi . Coastline: 28 ,209 mi
1991). More recently, as concern in the United States has risen regarding the levels of obesity due to poor nutrition, health officials have worried that advertising depictions of fast food consumption in the media might spur poor nutritional choices by virtue of a social proof effect: "If everybody in the ads is ordering the extra crispy chicken, I can do it, too." A study of Asian, Hispanic, African Ameri- can, and White children confirmed the need to worry. The more fast food promotions a family expe- rienced, the more fast food they consumed. But, this wasn't the case because the ads changed parents' attitudes toward fast food. Instead, in keeping with the mechanism of social proof, it was because par- ents' perceived fast food consumption as more normal in their communities (Grier et aI., 2007). THE PRINCIPLE OF SOCIAL PROOF _ _
annaabi.ee 
