Segelfahrt (Öhquist), 1899 Serenad (Runeberg), 1888 Smà flickorna (Procopè), 1920 ,,Sõua, sõua , sinikael" (Koskimies), 1899 MITMESUGUST VOKAALMUUSIKAT OP.113 Vabamüürlaste rituaalmuusika, meeshäälele, klaverile ja orelile, 1927, 1938, 1946 1. Introduction 2. Thoughts Be Our Comfort (Schiller) 3. Introduction And Hymn (Confucius) 4. Marcia (Goethe) 5. Light (Simelius) 6. Salem (Rydberg) Ka nimetus Onward Ye Peoples 7. Whosoever Hath a Love (Rydberg) 8. Ode de Fraternity (Sario) 9. Hymn (Sario) 10.Marche Funèbre 11.Ode (Korpela) 12.Finlandia Hymn (Sola) 46 Carminalia, ladina koolilaule, seatud sopranile, aldile ja bassile a cappella või sopranile ja aldile klaveri ja harmooniumi saatel.Elise Stenbäcki kogutud viisidest ja tekstitest, 1899 ,,Jumala õnnistus", hümn oreli saatel, 1925
limited and conditioned human mind. Only the means for reaching spiritual value may be applied as subjects for our analysis, but the Highest Value itself cannot be subjugated to analysis.4 The creative intellect, a part of the human ‘Higher I’ is the real creator of artistic spiritual values, being an inseparable part of the transcendental inspiring Source. I Myself am dwelling in the hearts of all beings; I am the beginning, present and end of them. And whosoever would be mighty, genuine, majestic, great: know that a part of My effulgence has appeared in it.5 The intellectual sphere is full of ideas and forms that descend into Matter. The Power in the higher realm has Existence and Beauty. This Beauty exists in ourselves if we remain faithful to our real nature... Beauty originates from God and comes from Him only. 6 For understanding sublime spiritual art creation, the listener must be close to its
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