ja vähemal määral hornpipe) Muusikal sümboliks vene rahvast. Eluaseme liimitud, mitte eraldi (6-7) segmendi juht pika kaelaga kergelt kaardus seljatugi. Stringid metallist (ka XVIII sajandi kaks neist veenides, tänapäeva balalaika - nailonist või Carbon Fiber). Kaela juurest kaasaegse balalaika 16-31 metal frets . Heli Bell, kuid pehmed. Kõige levinumad meetodid kaevandavad heli: saber, Pizzicato, Pizzicato topelt, ühe Pizzicato, vibrato, tremolo, fraktsioonid, kitarri tehnikaid. Virtuosos balalaika: # Vassili Andrejev # Boris Troyanovsky # Nikolai Ossipov # Paul Necheporenko # Mihhail Rozhkov # Jevgeni Blinov # Eugene Avksent'ev # Boris Feoktistov # Alexander Shalov # Vladimir Illyashevich
The success of the recording pushed more arrangers to use flute as a solo instrument and boosted to popularity of the flute in general. Moving further, in 60s flutist Sam Most and Herbie Mann started to develope new sounds and ways. Mostly thanks to widespread experimenting happening all around the world, radical changes took place concerning the flute. Techniques from modern classical pieces(f.e E.Varese, L.Berio) started to come over and develop jazzflute even further. One of the virtuosos, E.Dolphy started to experiment and during his stay in Italy, started to study under Severino Gazzelloni(Pioneer in multiphonics). In the 2nd half of the 60s, Decade for bossa nova, started to spread from Brazil to North America and Europe. Bossa Nova(New Thing) and its rich harmonies and softrythms were an instant hit among jazz musicians and flute was incorporated almost instantly as one of the main solo instruments for this New Thing. On the other
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