foreigner and she had deceptive manners. Orlando could never be sure what was on her mind. Sashas used Oralndo to entertain her while they were in London but then she left Orlando and ran away with a Russian seaman, that broke Orlando’s heart. But Orlando can’t forget Sasha because her seductiveness and she will remain in Orlando’s heart as long as he lives. In my opinion Sasha was deceitful, maybe a little bit of hypocritical, definitely misleading and mostly untrustworthy due to the fact that he broke Orlando’s hearth and played with his feelings. I liked how she could easily manipulate and sabotage with Orlando because she was extremely seductive. Taking Sasha as a women i wouldn’t definitely like that kinda of a girlfriend because she was quite manly and she was not loyal and played with a man’s heart.
Brocklehurst and the rigid strictness of the school are the same as the novel. There film deviates in two ways, however. Firstly, the way in which Jane's relationship with the school authorities develops is less evident in the film. Also, the death of Jane's friend Helen from typhus results in improved conditions, because it becomes clear that her illness had been caused by poor diet and cruel treatment. Consider the role of Jane's aunt and cousin. These characters are untrustworthy and cruel in the book and the film. For instance, the scene in which Jane is physically assaulted by her cousin appears in both book and film. Consider the importance of Sarah Poole. In the book, Jane suspects she is the person responsible for the fire and the stabbing at Thornfield Hall. In the film, Sarah is hardly mentioned. Adele talks about a mysterious woman who appears at night but this plot line is not developed further in the film. Evaluate the portrayal of Jane's strength of character
clothing of many thousands" in order to improve the economic situation of Ireland as well as the standards of living (Swift, 53). These words "can take the reader's breath away, both by the calmness with which it is offered and by the devastatingly quiet logic with which its implications are explained" (Cunningham, Reich, 240-241). However, the fact that author speaks about infanticide and cannibalism with such ease, and without any sense of guilt tempts us to believe, that his offer is untrustworthy and insincere. Actually, an attempt to apply such an absurd proposal in practice was not originally considered by the author; it is more likely a hidden satire, which is intended to draw the attention of the authorities to what is happening in the country. Alongside with the exquisite use of satire and cynicism the reader can also trace the paradoxical nature of the Swift's work. The fact that an Englishman proposes
seconds we are left wondering if Joan has died. T h o s e few seconds are sufficient for the magic of the Supreme Ordeal to work. Joan then appears, struggling onto a rock in the foreground. T h a t she has died and been reborn is clearly acknowledged in the dialogue. On the opposite bank, Colton cries out, "I thought you drowned." Joan acknowledges, "I did." Colton is elated by their physical survival, but now the focus of the crisis for Joan shifts to the emotional plane. T h e untrustworthy Colton is on the opposite side of the raging river with the jewel. A real test of their love is coming. W i l l he keep his promise to meet her in the next town, or will he simply run away with El Corazon and break her heart? W i l l she be able to survive in the jungle of the Special W o r l d without him? SACRED MARRIAGE In stories with emotional and psychological depth, the Ordeal may bring a moment of mystic marriage within a person, a balancing of opposing inner forces
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