(19091975) categorised musical instruments: 1) traditional instruments 2) popular instruments wind instruments (puhkpillid) stringed instruments (keelpillid) bellows instruments (lõõtspillid) percussion instruments (löökpillid) Flute type wind instruments Willow bark (pajupill) Pine shoot (vilepill) Clarinet type wind instruments Bagpipe Reed pipe (roopill) Trumpet type wind instruments Herdsman`s horns and trumpets Zither Fiddle Psalmodikon (moldpill) Bumbass (põispill) Guitar and mandolin Estonian bellows August Teppo(18751959) from Võrumaa Teppo's lõõts had great volume Libliklõõts accordions made in Russia providing also butterfly ornaments that inspired the name Accordion A wooden gong (lokulaud) A rattle (käristi) Heliraud was basically a triangle or metal ring Jew's harp
Reed pipe was developed into the most popular Estonian wind instrument, the bagpipe. This instrument spread in Estonia probably already in the 14th century. The first written records date from the 16th century Bagpipes played at festivities, but also at other gatherings. Based on written records, bagpipe music was used to cheer up tired workers in the fields. o trumpet type wind instruments Herdsman's horns and trumpets were sounded in taking the cattle grazing in the morning and returning home in the evening. The large herdsman's trumpet karjapasun (up to 2 metres in length) was his tool and boys were not allowed to touch it. Herding boys had smaller trumpets and horns. They signalled information to each other and warded off wild beasts=animals STRINGED INSTRUMENTS Kannel Kannel is the oldest known instrument in Estonia. It is believed to have been around for about two thousand
Listening Guide Ring of Fire Folsom Prison Blues - 2:25 - 2:24 0:00 Rest 0:30 Johnny always begins with an introduction 0:00 0:30 Rest Johnny begins with an introduction and and then a slow, steady beat starts. Trumpets immediately a quick, short guitar strum is blurt out a Spanish tune for three pitches, three played with small pauses between each note. consecutive times. Johnny's deep, rasp voice In the live version the crowd goes wild with begins to sing. With the high pitch back up joy. A steady clap begins from the crowd singers in the background. every 2nd count on the beat of the guitar. 1:00 Johnny begins singing on tune with slow,
Thus the main attention has been devoted to joining improvisational images to the principle of contrast. Such an approach adds a variety of colours, slackened formal connections, and thematic material (though it exists) of no exact determination. The introductory image with its muted trumpet and celesta expresses something mildly mysterious: Example 27. The image is not a monody but a complex of several bright colours like botanical variegation. Trumpets step through like an axis, drawing attention. A harmonic mildness characterises the main theme: Example 28. The epic subsidiary theme creates no special contrast with the main theme: Example 29. In addition several other images fleetingly appear in the development, though, strictly speaking, they cannot be qualified as themes. Such development illustrates the individuality of Eller: all images are utilised, although reshaped to the point of being
OPHELIA I shall obey, my lord. Exeunt 32 SCENE IV. The platform. Enter HAMLET, HORATIO, and MARCELLUS HAMLET The air bites shrewdly; it is very cold. HORATIO It is a nipping and an eager air. HAMLET What hour now? HORATIO I think it lacks of twelve. HAMLET No, it is struck. HORATIO Indeed? I heard it not: then it draws near the season Wherein the spirit held his wont to walk. A flourish of trumpets, and ordnance shot off, within What does this mean, my lord? HAMLET The king doth wake to-night and takes his rouse, Keeps wassail, and the swaggering up-spring reels; And, as he drains his draughts of Rhenish down, The kettle-drum and trumpet thus bray out The triumph of his pledge. HORATIO 33 Is it a custom? HAMLET Ay, marry, is't: But to my mind, though I am native here And to the manner born, it is a custom
open in the power and throat chakras, making him an effective communicator who could stir the emotions and marshal power with his voice, but he was probably shut tight in most of the other chakras. According to theory, the chakras can be stimulated in various ways and each is responsive to specific colors, smells, and especially sounds. Supposedly, unhealthy chakras can be cleansed or opened by exposure to the vibrations of gongs, bells, drums, and trumpets. In movies, big emotional breakthroughs duplicate the opening of the higher chakras, and are enhanced and emphasized by climaxes in the music and action. In evaluating story material for the Hollywood studios, I began to think about how modern entertainment plays upon the various emotional and physical centers of the body, and observed that good stories affected me in at least two organs at once, perhaps getting my heart racing with tension while making my throat choke up with
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