transformation. It is no coincidence that Steven Spielberg is looking for a woman of his adaption of Arthur Golden's best-selling novel, Memories of a Geisha. And if her new Geisha look is a part of Madonna's campaign to secure the part, who can blame her? Madonna has always been a brilliant consolidator of trends, picking up on an existing look and making it her own. When she first bounced into the charts, it was a trashy punk. The furs and glitzy jewellery she wore for the video Material girl made Sean Penn fell in love with her. When the marriage with Penn formally ended she was already involved with Warren Beatty. For a short time she dressed like a gangster's moll and played in a joint movie venture, Dick Tracy. When the romance with Beatty ended she changed her outfits for tight corsets and menacing conical bra tops. In her forties she changed her hair back to its natural dark brown, cut in a bob
For example, there is a young black girl named Tia who is the daughter of an attendant and she is Antoinette´s only companion. One day Tia unexpectedly turns against Antoinette. Tia sees the pennies that Christophine has given Antoinette and she bets three pennies that Antoinette cannot turn a somersault under water. Antoinette manages to do the somersault, but comes up choking so Tia takes the pennies anyway. Antoinette calls Tia a cheat and Tia calls Antoinette´s family poor and trashy. When Antoinette turns her back, Tia takes her clothes and disappers, leaving her own dirty dress for Antoinette. Tia´s disloyalty manifests the allure and corrupting power of money. She desires money more than a lovely childhood friendship. Secondly, the black women feel more comfortable in their own skin and they are not afraid to express their thoughts and insults. Persecution by a black female is most notably seen when