particular phoneme. We use the term neutralisation for cases where contrasts between phonemes which exist in other places in the language disappear in particular contexts. A clearer case of neutralisation can be found in the case of plosives following s in syllable-initial position. Words like 'spill', 'still', 'skill' are usually represented with the phonemes p, t, k following the s. But, as many writers have pointed out, it would be quite reasonable to transcribe them with b, d, g instead, because b, d, g are unaspirated while p, t, k in syllable- initial position are usually aspirated; but in sp, st, sk we find an unaspirated plosive. Although we dont transcribe as such, it is important to remember that the contrasts between p and b, between t and d and between k and g are neutralised in this context. There are many ways of analysing the English phonemic system, each with its own advantages and disadvantages.
complying with the design intent (Allen, Becerik, Pollalis, & Schwegler, 2005). Thus, practice conventions require communication via working drawings that are being translated by contractors, manufacturers, subcontractors, and consultants, for constructability review and shop drawing development (Pietroforte, 1995). The use of complex surfaces creates ambiguities when the designer attempts to transcribe the model into paper format. On complex-shaped buildings, architects are representing the global geometries of external surfaces in 3D – including roofs, cladding, glazing systems, etc. – while component details are supplemented with conventional 2D drawings. What used to be a tedious computational method working with 2D segments of a building is becoming a visual process working with pictorial representations of the structure, building systems, and architecture (Smilow, 2007).
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