SUMMARY WRITING NB! At least 5 different types of summaries can be identified in writing. The requirements for the summary in this course are as follows: 1. FOUR UNIVERSAL FEATURES OF ANY SUMMARY: Concise Comprehensive Coherent Independent 2. TIPS FOR WRITING: DONT’S Do not retell, but analyse and synthesise; Do not include your own opinion; Do not use redundant phrases (e.g. The article that I chose); Do not use quotes from the text; Do not use bullets or numbering; Do not start your sentences with But/And/So. DOS Incorporate the heading of the text and the author in the first sentence; Use the author’s phrases (see also ‘package’ D); Write the text in ONE block; Be consistent and parallel in structures;
answers referring to insulin production can also be credited in mp 2,3,4 1 Escherichia coli ; A E. coli genetic engineering 3 max 2 amino acid sequence (of HGH), known / analysed ; 3 gene coding for HGH synthesised ; 4 using, triplet code / genetic code ; OR 5 mRNA (coding for insulin) from beta cells ; 6 use reverse transcriptase ; 7 synthesise cDNA ; 5 plasmid (vector) ; 6 cut using restriction (endonuclease) enzyme ; 7 ref to gene and plasmid mixed with (DNA) ligase ; 8 (recombinant) plasmid introduced into, bacterium / bacteria ; AW large scale production 4 max 9 genetically engineered / recombinant bacteria ; 10 grown in fermenter / fermentation, qualified ;
At the end a folk song, Millal meie pulmad teeme? (When is our wedding to be?), makes its appearance. It is coloured by both major and minor tones and it is soon “dissolved” by other up and coming thoughts. The third movement (Scherzo) appears to be quite traditional in comparison to the previous one. The themes, musical language and style are considerably different, the music remains on the level of academic Romanticism. The Finale’s (Allegro moderato) task is to synthesise all the previous material. The main theme in this rondo resembles a folk dance; it is joyous and snappy (C1). The episodic materials are also close to folk tunes. In the synthesis the introductory theme and the main theme of the second movement participate. The former is transformed, sounding victorious and bright in augmentation, exhibiting the triumph of fulfilling all expectations. In the development of the first movement several thematic elements collide. The
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