shed shed shed shine shone shone shoe shod shod shoot shot shot show showed shown, showed shred shredded shredded shrink shrank, shrunk shrunk, shrunken shut shut shut sing sang sung sink sank sunk, sunken sit sat sat slay slew slain sleep slept slept slide slid slid, slidden sling slung slung slink slunk slunk slit slit slit smell smelt smelt smite smote smitten sow sowed sown, sowed speak spoke spoken speed sped, speeded sped, speeded spell spelt, spelled spelt, spelled spend spent spent spill spilt
show showed showed/shown näitama shrink shrank shrunk kahandama shut shut shut sulgema sing sang sung laulma sink sank sunk Vajuma, uppuma sit sat sat Istuma sleep slept slept Magama slay slew slain tapma slide slid slid libisema sling slung slung Pilduma, rippuma slit slit slit Lõikama smite smote smitten lööma sow sowed sowed/sown külvama speak spoke spoken Rääkima speed sped sped kiirendama spend spent spent kulutama
Ribadeks lõikama Shred Shred/shredded Shred/shredde Kokku kokku tõmbuma Shrink Shrank/shrunk Shrunk Sulgema, sulguma Shut Shut Shut Laulma Sing Sang Sung Vajuma, põhja laskma Sink Sank Sunk Istuma Sit Sat Sat Tapma Slay Slew Slain Magama Sleep Slept Slept Libisema Slide Slid Slid Lingutama, loopima Sling Slung Slung Hiilima Slink Slunk Slunk Lõhestama Slit Slit Slit Haistma, nuusutama, lõhnama Smell Smelled, smelt Smelled, sme Rabama, lööma Smite Smote Smitten
HAMLET Come, come, and sit you down; you shall not budge; You go not till I set you up a glass Where you may see the inmost part of you. QUEEN GERTRUDE What wilt thou do? thou wilt not murder me? Help, help, ho! LORD POLONIUS [Behind] What, ho! help, help, help! HAMLET 118 [Drawing] How now! a rat? Dead, for a ducat, dead! Makes a pass through the arras LORD POLONIUS [Behind] O, I am slain! Falls and dies QUEEN GERTRUDE O me, what hast thou done? HAMLET Nay, I know not: Is it the king? QUEEN GERTRUDE O, what a rash and bloody deed is this! HAMLET A bloody deed! almost as bad, good mother, As kill a king, and marry with his brother. QUEEN GERTRUDE As kill a king! HAMLET Ay, lady, 'twas my word. Lifts up the array and discovers POLONIUS Thou wretched, rash, intruding fool, farewell! I took thee for thy better: take thy fortune; Thou find'st to be too busy is some danger
resemblance to the Biblical phrase.] (To Orgon) Could you but know with what distress I see Them try to vilify me to my brother! ORGON Ah! TARTUFFE The mere thought of such ingratitude Makes my soul suffer torture, bitterly . . . My horror at it . . . Ah! my heart's so full I cannot speak . . . I think I'll die of it. ORGON (in tears, running to the door through which he drove away his son) Scoundrel! I wish I'd never let you go, But slain you on the spot with my own hand. (To Tartuffe) Brother, compose yourself, and don't be angry. TARTUFFE Nay, brother, let us end these painful quarrels. I see what troublous times I bring upon you, And think 'tis needful that I leave this house. ORGON What! You can't mean it? TARTUFFE Yes, they hate me here, And try, I find, to make you doubt my faith. ORGON What of it? Do you find I listen to them? TARTUFFE No doubt they won't stop there. These same reports
Christopher Vogler experience, and then is allowed to experience resurrection as he is reborn as a new member of the group. T h e hero of every story is an initiate being introduced to the mysteries of life and death. Every story needs such a life-or-death moment in which the hero or his goals are in mortal jeopardy. 9 . R E W A R D (SEIZING THE S W O R D ) Having survived death, beaten the dragon, or slain the Minotaur, hero and audience have cause to celebrate. T h e hero now takes possession of the treasure she has come seeking, her Reward. It might be a special weapon like a magic sword, or a token like the Grail or some elixir which can heal the wounded land. Sometimes the "sword" is knowledge and experience that leads to greater understanding and a reconciliation with hostile forces. In Star Wars , Luke rescues Princess Leia and captures the plans of the Death
I asked him to consider the precarious fate of the imperial messengers of old Persia. Any such messenger assigned the role of military courier had special cause to hope mightily for Persian battlefield successes. With news of victory in his pouch, he would be treated as a hero upon his arrival at the palace. The food and drink of his choice were provided gladly and sumptuously. Should his message tell of military disaster, though, the reception would be quite different: He was summarily slain. 1 hoped that the point of this story would not be lost on the weatherman. 1 wanted him to be aware of a fact that is as true today as it was in the time of an- cient Persia: The nature of bad news infects the teller. There is a natural human tendency to dislike a person who brings us unpleasant information, even when that person did not cause the bad news. The simple association with it is enough to stimulate our dislike (Manis, Cornell, 8{ Moore, 1974). (See Figure 5.1).
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