2008) Fashion-era.com 1930. aastate kübarad http://www.fashion-era.com/hats- hair/hats_hair_7_fashion_history_1920_1930.htm#1920%20Hairstyles (2.märts 2008) 29 Summary The World War I brought changes into women's mind. They found that they were not ropey and that they can afford same things men did. It found its way into fashion in 1920. boyish style. In 1930. their style changed to more feminine and sexiness was in fashion. Hair was grown longer, they wore shoes with higher heels and their dresses were shorter. The progress ended with World War II, when materials had strict regulations and women had to do men's work again. Therefore, women dressed more practical, but still feminine. This exact period is under investigation because there were a lot of developments and changes. Women achieved a new position in the society. Therefore, they had more boldness to show themselves out
self-expression. Stories invite us to invest part of our personal identity in the Hero for the duration of the experience. In a sense we become the Hero for a while. W e project ourselves into the Hero's psyche, and see the world through her eyes. Heroes need some admirable qualities, so that we want to be like them. W e want to experience the self-confidence of Katharine Hepburn, the elegance of Fred Astaire, the wit of Cary Grant, the sexiness of M a r i l y n Monroe. H e r o e s s h o u l d have universal qualities, emotions, and motivations that everyone has experienced at one time or another: revenge, anger, lust, competition, territoriality, patriotism, idealism, cynicism, or despair. But Heroes must also be unique human beings, rather than stereotypical creatures or tin gods without flaws 30 HERO or unpredictability
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