And I, though I don't want to make you angry, Must tell you candidly that she's quite right. Was such infatuation ever heard of? And can a man to-day have charms to make you Forget all else, relieve his poverty, Give him a home, and then . . . ? ORGON Stop there, good brother, You do not know the man you're speaking of. CLEANTE Since you will have it so, I do not know him; But after all, to tell what sort of man He is . . . ORGON Dear brother, you'd be charmed to know him; Your raptures over him would have no end. He is a man . . . who . . . ah! . . . in fact . . .a man Whoever does his will, knows perfect peace, And counts the whole world else, as so much dung. His converse has transformed me quite; he weans My heart from every friendship, teaches me To have no love for anything on earth; And I could see my brother, children, mother, And wife, all die, and never care--a snap. CLEANTE Your feelings are humane, I must say, brother! ORGON Ah
it was what she had expected all the while. "How good it was in you, my dear Mr. Bennet! But I knew I should persuade you at last. I was sure you loved your girls too well to neglect such an acquaintance. Well, how pleased I am! and it is such a good joke, too, that you should have gone this morning and never said a word about it till now." "Now, Kitty, you may cough as much as you choose," said Mr. Bennet; and, as he spoke, he left the room, fatigued with the raptures of his wife. "What an excellent father you have, girls!" said she, when the door was shut. "I do not know how you will ever make him amends for his kindness; or me, either, for that matter. At our time of life it is not so pleasant, I can tell you, to be making new acquaintances every day; but for your sakes, we would do anything. Lydia, my love, though you are the youngest, I dare say Mr. Bingley will dance with you at the next ball." "Oh
A precious and abstract rational mood is characteristic of him, joined with national colouring. Together with this goes great aptitude in thematic development and skill to amalgamate different components subordinating them to the artistic whole. His virtues are individually 1 First performance in Tallinn: the mixed choir of Estonia Music Department and Estonia Theatre orchestra, 20 Oct. 1929, conducted by Juhan Aavik. exposed in a serious mood that may be followed by raptures of humour, colourful joy, parody and joke.1 The Requiem may be regarded as the third among the essential ecclesiastic choral-symphonic works, written in Estonia up to the Eighties, when Arvo Pärt rose to prominence as a follower of this trend, his expression being quite different both in means and style (relying first on Gregorian chant). V. THE INFLUENCE OF NEW WESTERN MUSICAL TRENDS. HEINO ELLER: A PROGRAMME PAINTER.
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