yes, oh, well) are irrelevant. The monologue is never interrupted by any such exclamatory words. The monological character of the dialogue in plays becomes apparent () by the fact that two or more questions may be asked one after another. The sequence of sentences reflecting the sequence of thought will not allow any digressions ( ) from the course taken, unless this was the deliberate intention of the playwright. The language of plays is already purposeful. 21. PUBLICISTIC STYLE Unlike other styles, the publicistic style has a spoken variety, namely: 1. The oratorical substyle. 2. The development of radio and television has brought into being another spoken variety the radio and TV commentary. 3. The other two substyles are the essay (moral, philosophical, literary) and journalistic articles (political, social, economic) in newspapers, journals and magazines. Book reviews and pamphlets are generally included among essays.
16. Rhythm in poetry and in prose ("Rhythm and Text") Study independently 17. Varieties of language (I. Galperin "Stylistics") 18. Emotive prose (I. Galperin "Stylistics") 19. Scientific prose style (I. Galperin "Stylistics") 20. Language of the drama (I. Galperin "Stylistics") 21. Publicistic style (I. Galperin "Stylistics") 22. The style of official documents (I. Galperin "Stylistics") 23. Newspaper style (I. Galperin "Stylistics") *- very bulky questions they will be split into several parts at the exam. FGI 1081 Stylistics (I. Ladusseva) 1
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