Bars also play host to a number of other activities including music, flirting, and gambling. T h i s stage in a story, whether it takes place in a bar or not, is a good place for a musical sequence that announces the mood of the Special World. A nightclub act may allow the introduction of a romantic interest, as in Jessica Rabbit's sensational torch song in Who Framed Roger Rabbit) M u s i c can express the dualities of the Special W o r l d as well. At this stage in Casablanca the polarities are movingly presented in a musical duel between the passionate "Marsellaise" sung by the French patriots and the brutal "Deutschland uber Allés" sung by the Nazis. In the lonely outposts o f adventure, saloons or their equivalent may be the only places for sexual intrigue. Bars can be the arena for flirting, romance, or prostitution. A hero m a y strike up a relationship in a bar to get information, and incidentally acquire an Ally or a lover.
Good units generate large amounts of small and intermediate ions in differing proportions and without a perceptible increase of undesirable byproducts as ozone and nitrous compounds in toxic or even irritating amounts..............................................................................................................16 For experimental work, two separate units for production of (-) or (+), or one permitting a reversion of polarities with a controlled output in excess of 100,000 ions per cc. of air, measured at a distance of six feet, are indispensable. Specially constructed collectors for measuring of ion velocity, density, and polarity are essential in investigative and clinical work.......................................................................................................................................... 16 Kiirgused.........................................................................................
A certain sorrow, elegy and mourning mood is prominent. Just at the beginning a question by the heavy brass (F-E-D-E-F-E) is shouted. As an unanswered question, it appears, but vanishes soon without remarkable results. The work is rich in aleatory technique. The three last works of Sumera are introvert and sensitive contemplations and might be called tone poems, sound canvases, musical landscapes. What has been retained from symphony genre principles are the polarities: activity and meditation. 2 In 1 Ulrich Hartmann, Badische Neueste Nachrichten 13 Apr. 1992. 2 Mark Aranovsky. Symphonic Quest: Essays of research. (Leningrad: Soviet Composers Publishers, 1979) 34-35. some sense it seems that Sumera as a real symphonist (think, for example, of the second movement of his First Symphony) directed his abilities towards sound imagery. Is not the condition of our world the reason why pure-conceptual compositions are so rare? The
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