Il n'avait ni barbe ni moustache, ses yeux étaient bleus et gais. J'étais contente quand il s'occupait de moi; mais il n'avait pas dans ma vie de rôle bien défini. Ex 11 La plage éblouit et me renvoie au visage une chaleur montante. Instinctivement, j'abrite mes joues, mes mains ouvertes, ma tête détournée comme devant un foyer trop ardent. Mes orteils fouillent le sable pour trouver l'humidité de la dernière marée. Midi sonne et mon ombre courte se ramasse à mes pieds. Couchée sur mon ventre, un linceul de sable me couvre à demi. Si je bouge, un fin ruisseau de poudre s'épanche au creux de mes jarrets, chatouille la plante de mes pieds.
man in exile. His works reflect his experiences and attempts to answer some of life's difficult questions. In 1968, Allen Tate, a conservative thinker and a convert to Catholicism, wrote "The Unilateral Imagination; or, I too Dislike it", in his Essays of Four Decades. This critique was established from a lecture given by Tate in 1955 based on his works. An example of Dante's ability to tell so much in one single word was expressed by Tate when he cited the word "ombre" which translates "shades," to remind us of the continuity of the Christian Hell and Virgil's pagan Hades. "Shades" are referred to as three-dimensional bodies, able to feel pain as if they were alive in solid ice and immobile, yet to have the intensity of fire. If Dante had tried to touch one of them, his hand would have met no physical resistance since the shades would melt into the air. Tate stands in awe of Dante's abilities to express such a large concept or picture in so few words
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