–30. aastail. – Eesti kultuuriloost 20. sajandi esimesel poolel. Tallinna Pedagoogikaülikooli Toimetised A 3 Humaniora. Toim. Kaalu Kirme, Helgi Vihma, Maris Männik. Tallinna Pedagoogikaülikool, 153–165. 131 KIRME, M. 2006. = Maris Männik-Kirme. 2006. Music Criticism as a History of Music Reception: Estonian Music in Finland Before 1940. – Musical Work: Boundaries and Interpretations. 38th Baltic Musicological Conference 21–23 October, 2004, Vilnius. Selected papers, 167–176. KLEBERG, L. 1962. Hörtpa Gyllene Cirkeln. – Orkester Journalen, sept. 14. KR. Das zweite Jazzkonzert. 1937. – Revalsche Zeitung, 17.04. KUTSEMUUSIKUTE elu. 1938. – Muusikaleht, 2, 52–53. KÕRVITS, E. 1999. Eesti muusikaelu ümberkorraldamine Nõukogude okupatsiooni algusaastatel 1940–1941. Tallinn: EMA [bakalaureusetöö]. KÕRVITS, H. 1963. Tiit Kuusik. Tallinn: Eesti Raamat. KÜHN, V. 1993. Die zehnte Muse
(Dhammapada, Adage 227). A spiritual level and erudition in the arts, the ability to recognise and evaluate existing high artistic qualities is essential. The more the listener searches for the sublime spiritual germ in music and is able discover and evaluate it all, the more competent and objective they will become. I must thank the late Professor Leo Normet, PhD, of the Estonian Academy of Music for his advice and assistance in my use of English musicological expressions. Professor Roman Toi, PhD, of the Royal Conservatory of Toronto; Doctor Ea Jansen of The Institute of History at Tallinn University for their valuable opinions; Professors Margus Pärtlas and Eino Tamberg of the Estonian Academy of Music and Maris Männik-Kirme of Tallinn University for their useful remarks. I deliver my sincere gratitude to the musicologist Priit Kuusk for his thorough and erudite help with annotations. My thanks also to the English editor Janusz Peters
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