Vronskil on hea meel kohtuda vana koolivenna Golenishcheviga. Golenishchev ja Anna saavad hästi läbi. Vronski kuulab Golenishchevi seletusi raamatust, mida ta kirjutab. Anna ütleb Golenishchevile, et Vronski on hakanud maalima. Anna on väga õnnelik. Venemaast kaugel ei tunne ta enam seda häbi. Vronski on vähem rahul, tema kõik soovid on rahuldatud ning nüüd ta igatseb uut põnevust. Ta hakkab joonistama Anna portreed. Ta kuuleb, et vene kunstnik Mikhailov elab nende linnas. Vronski peegeldab uue põlvkonna vene haritlast, kellel on annet, kuid puudub haridus. Anna teeb ettepaneku külastada Mikhailovit. Kui Anna ja Vronski saavuvad Mikhailovi stuudiosse, on kunstnik meelitatud, kui tähelepanelikud venelased on. Ta näitab neile pooleli maali, kus on stseen Jeesus Kristusest. Anna ja Vronski kiidavad Mikhailovi esitusviisi Pontius Pilatust ja Anna leiab rõõmu kaastundlikust Jeesuse näost. Külalised
months. Anna is happy with her new life and loves being with Vronsky, even though she ran away from her son and left her friends behind. But something is changing in Vronsky's head. He realizes he gave up his entire career for Anna, and he is beginning to grow tired of his new life. He takes up painting as a hobby, and finds that he has some talent as an artist. Anna and Vronsky take some of Vronsky's works to a professional painter nearby, a man named Mikhailov. There, Vronsky asks the painter to paint a portrait of Anna. Once Vronsky realizes that the painter is much better than he is, he gives up painting, too, now totally frustrated by his personal sense of uselessness. It's starting to seem that pure romance is enough for Anna, but not nearly enough for Vronsky. Chapters 14-20 Kitty and Levin are fighting a great deal, but their fights are not bad. Instead, they are productive and aid in the building process of their life together
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