III. NEW DEVELOPMENTS IN CULTURAL AND MUSICAL LIFE: THE END OF THE TSARIST PERIOD. THE INDEPENDENT REPUBLIC OF ESTONIA: THE INTRODUCTION OF INNOVATIONS FROM WESTERN ART AND THE EVOLUTION OF NATIONALLY ORIENTED MUSICAL TRENDS. IV. THE TWENTIES. ARTUR KAPP: ROMANTICIST AND DRAMATIST. V. THE INFLUENCE OF NEW WESTERN MUSICAL TRENDS. HEINO ELLER: A PROGRAMME PAINTER. VI. THE THIRTIES. THE WIDENING OF NATIONAL SYMPHONISM. THE RISE OF ATTENTION TO HISTORY AND FOLKLORE: JUHAN AAVIK, EDUARD TUBIN, EUGEN KAPP. VII. FURTHER MATURING OF SYMPHONIC MUSIC: HEINO ELLER, EVALD AAV, EDUARD TUBIN. THE FIRST ESTONIAN BALLET. SUMMARY OF THE REPUBLICAN PERIOD. HALF A CENTURY UNDER SOVIET OCCUPATION. IDEOLOGY OVER MUSIC. EXTENSIVE INFLUX OF CONTEMPORARY TRENDS. VIII. THE FORTIES. TRANSFORMATION OF ESTONIAN LIFE. THE WAR-TIME SYMPHONIC OUTPUT. IX. THE PLANTING OF NEW CREATIVE PRINCIPLES DURING THE POST-WAR YEARS. X. THE SECOND HALF OF THE FIFTIES