Dancing in general increases muscle strength and flexibility, which in turn, improves overall range of motion. It also increases core strength which can improve balance, coordination, and posture. [6] Dancing meditation is one of the easiest ways to discover a calm and quiet place inside you, that is filled with joy, wisdom and love, says Pragito Dove. It helps to express oneself freely through the dance, releases tention and creativity arises and liberates feelings of joy and positivity. The dancing meditation has three stages: fourty minutes dancing freely and blindfolded, twenty minutes lying down in silence and then five miutes more dancing. This technique is the best way to meditate for those, who are having problems staying still. It’s a greate way to direct energy inward. [7] There’s many reasons, why some people like to dance. Everyone of us might have their own. Some love to dance, because they like to entertain people
ces and all its stages, but there is no underlying ground; the space of the writing is to be traversed, not penetrated: writing ceaselessly posits meaning but always in order to evaporate it: it proceeds to a systematic exemption of meaning. Thus literature (it would be better, henceforth, to say writing), by refusing to assign to the text (and to the world as text) a “secret:’ that is, an ultimate meaning, liberates an activity which we might call counter-theological, properly revolutionary, for to refuse to arrest mea- ning is finally to refuse God and his hypostases, reason, science, the law. — Let us return to Balzac’s sentence: no one (that is, no “person”) utters it: its source, its voice is not to be located; and yet it is perfectly read; this is because the true locus of writing is reading
T h i s concentration intensifies in the second half of the film which follows the surging events in real time, moment by moment. Confining the action to one place, the world of the ship alone at sea, makes it into a microcosm of life. It is an island of life in a dead sea, just as this island Earth is adrift in an ocean of space. A n d the ideas and arguments of Titanic are woven into a coherent design by concentrating on a single theme — that love liberates us and transcends death. Cameron casts his arms wide in beckoning the audience to identify with his story. There's room enough on that ship for all of us. W e can all identify with touches like the Turk who, while the boat sinks, frantically tries to read a corridor sign with a Turkish-English dictionary. W e are all strangers somewhere. We're all in the same boat. T h e movie is cast to appeal to a broad range of age groups. T h e young have
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