· "Puupeatus" (2004) · "Luule sünnib kus sünnib kui sünnib" (valikkogu, koostanud Leelo Tungal, 2006) · "Koer poiss" (valikkogu, koostanud Maria Ader, 2006) · "Igavene eesel" (Ott Arderi ja Henno Käo pildid; 1996) · "Ott otsib karuoblikat" ( 2010 ) Tõlked: · "Juko jutud" (Uluro Ado; 1978) · "Fredmani epistlid & laulud" (Carl Michael Bellman; tõlgitud koos Mati Sirkeliga; 1993) · "Viimane raamat. Poslednjaja kniga" (Viktor Krivulin; 1996) · "Moskva-Petuski" (Venedikt Jerofejev; 2000) · "Lasteraamat" (Kari Hotakainen; 2001) · "Psühhopaadi märkmed" (ainult värsid; Venedikt Jerofejev; 2001) · "Sinine pekk" (ainult värsid; Vladimir Sorokin; 2002) · "Krestomaatia" (Raul Meel, Ilja Sundelevits; 2003) · "Vanad tädid enam ei mune" (I osa) (Mark Levengood, Unni Lindell; 200 Laulitekstid lavastustele: · "Lumekuninganna" · "Saabastega kass"
especially in Moscow, and the same goes for another masterful experimental poet, Gennady Aigi. Also popular were poets following some other poetic trends, e.g. Vladimir Aristov and Ivan Zhdanov from Poetry Club and Konstantin Kedrov and Elena Katsuba from DOOS, who all used complex metaphors which they called meta-metaphors. In St. Petersburg, members of New Leningrad Poetry School that included not only the famous Joseph Brodsky but also Victor Krivulin, Sergey Stratanovsky and Elena Shvarts, were prominent first in the Soviet- times underground - and later in mainstream poetry. Some other poets, e.g. Sergey Gandlevsky and Dmitry Vodennikov, gained popularity by writing in a retro style, which reflected the sliding of newly-written Russian poetry into being consciously imitative of the patterns and forms developed as early as in the 19th century. The 21th century
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