him in trouble in the first place. H e is sadder but no wiser. T h i s is another k i n d of circular closure. In this style of Return, a roguish or foolish character seems to have grown and changed. Perhaps he is a clown or Trickster, like Bob H o p e in the Crosby-Hope pictures or Eddie M u r p h y in 48 Hours or Trading Places, who swears he has learned his lesson. However, in the end he fumbles the Elixir and returns to an original error. He may fall back to his original, irrepressible attitude, closing the circle and dooming himself to repeat the adventure. For this is the penalty of failing to return with the Elixir: T h e hero, or some one else, is doomed to repeat the Ordeals u n t i l t h e lesson is l e a r n e d or the E l i x i r is brought home to share. EPILOGUE Just as some stories may have a prologue that precedes the main action, there may also be a need for an epilogue that follows the bulk of the story. A n epilogue or
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