Lauri Lasner Risto Paalonen Kertu Reinsalu Kaisa Vahtmäe United Kingdom Anthem 1. God save our gracious Queen Long live our noble Queen God save the Queen Send her victorious Happy and glorious Long to reign over us God save the Queen 2. O Lord our God arise Scatter her enemies And make them fall Confound their politics Frustrate their knavish tricks On Thee our hopes we fix God save us all 3. Thy choicest gifts in store On her be pleased to pour Long may she reign May she defend our laws And ever give us cause To sing with heart and voice God save the Queen 4. Not in this land alone But be God's mercies known From shore to shore Lord make the nations see That men should brothers be And form one family The wide world over 5. From every latent foe
Each character should come away with some variety of Elixir or learning. TOO M A N Y ENDINGS On the other hand, the Return should not seem labored or repetitive. Another good rule of thumb for the Return phase is to operate on the KISS system, that is: Keep It S i m p l e , S t u p i d . M a n y stories fail because they have too many endings. T h e audience senses the story is over but the writer, perhaps unable to choose the right ending, tries several. T h i s tends to frustrate an audience, dissipating the energy the writer has created. People want to know the story's definitively over so they can quickly get up and leave the theater or finish the book with a powerful charge of emotion. An overly ambitious film like Lord Jim, trying to take on a dense novel, can exhaust an audience with climaxes and endings that seem to go on forever. An extreme example of keeping it simple might be the karate match that forms the climax of The Karate Kid
phantom writing. Better equipped and more deeply versed in the nuances of sympathetic inks than the mass-production workers of the field stations, they had received a great stimulus from contact with one of the great secret-ink experts of the world, England's Dr. Stanley W. Collins, who had conducted this battle of the test tubes in two World Wars; he spoke at the Miami Counter-Espionage Conference in August, 1943. T.O.D. soon learned that Nazi spies were taking countermeasures to frustrate the iodine-vapor test and the general reagent. One was to split a piece of paper, write a secret-ink message on the inner surface, then rejoin the halves. With the ink on the inside, no reagent applied to the outside could develop it! The technique came to light when one German spy used too much ink and the excess soaked through. Sanborn Brown, an M.I.T. physicist, got two inmates of a local jail to explain how two sheets of parchment could be used to do the splitting
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