Saussure'i langue) ja teisalt indiviidi kõnet (parole); samuti keele arenemise ülevaadet keele kirjeldusest mingil kindala ajamomendil. Nad panid aluse ka esimesele kaasaegsele foneemikonseptsioonile. Kaasani koolkonna suurim teene - ideed stimuleerisid nii Ferdinand de Saussure'i kui ka Praha ringi revolutsioonilisi ideid. 46. Moskva (Fortunatovi) lingvistiline koolkond Filipp Fjoforovits Fortunatov tema lähenemisviis keelenähtustele näitab tema haruldast perspektiivitunnet ta sai nt aru vajadusest eristada diakrooniat a sünkrooniat ja oskust intuitiivselt tabada õigeid analüüsikriteeriume nt vältis ta psühholoogia sissetoomist keeleteadusesse. Temast ei jäänud järele palju töid ent siiski rajas ta tähelepanuväärse lingvistikakoolkonna, eriti tugevat mõju avaldasid tema loengud. 47. Praha funktsionalism
a compound form. After the first performance in Stockholm, the Swedish critic Ingemar Liljefors said: The talent of Tubin to present his sensations in such artistically illuminated expression is worthy of admiration. The Fifth Symphony is built up with a mastery which displays a sovereign command of all means and the absolute ability of musical expressiveness. 1 It seems surprising that the score was published in Moscow in 1966. In its foreword, the musicologist Yuri Fortunatov states: Looking at the score for the first time, at least two characteristic features catch the eye: clearly expressed contemporaneity in deeply individual musical language, and, at the same time, a broad democracy coming to the fore from the clarity of thematic conceptions, maximal sincerity and sharpness of ideas and emotions. The orchestration is also one of the brilliant aspects of Tubin's works. Besides the colour and remarkable nervous impulsiveness, its unique
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