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and a more detailed one of the Great Marquee itself on the inside back cover. Since the first Show, the overall plan has been centred on one large marquee, then two large ones, and finally the enormous Great Marquee. By the1990s the area under this particular canvas covered about 80 per cent of the whole Show site. This traditional layout has now changed. The catalyst was the new tri-dimensional superstructure, which is a rigid construction with egg box-like extrusions on its roof. This structure, which will be used for the foreseeable future, comprises a versatile series of small tents, which can be moved about to create courtyard spaces open to the sky, and which will be known as the floral Marquees. With the departure of the old canvas Marquee, some of the atmosphere will be lost. The damp grass and canvas had a special smell. They are considerably lighter than the old Marquee - on a cloudy day it can be brighter inside than outdoors - and that will
determining the amount of air required for the fire safety system. Fabrication Seele, located in Germany, was responsible for the cladding preconstruction services, the production and installation of 128,000 square feet (11,900 m2) of exterior cladding comprising of more than 6,500 glass panels and 30,000 anodized aluminum profiles. The building’s faceted skin geometry required extensive 3D engineering as the facade surfaces of aluminum extrusions, silicone gaskets, triple-glazing panels, pressure plates, gutters and closing panels join in up to five different angles at particular node points. A 36 comprehensive digital 3D model of the entire facade provided the manufacturing data for all prefabricated elements as well as the related labeling information, packing lists and transportation schedules (Menges, 2006). Figure 10
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