Alegre Correa and Austrian bassist Georg Breinschmid. Their debut album ‘Mauve’ (Quinton, 2002) was awarded the prestigious Hans Koller Prize of Austria as the ‘CD Of The Year’. Arkady Shilkloper gives concerts and master-classes around the world ( approx. 100 a year) in: Russia, Europe, USA, Canada, Japan, Panama, China, Korea and Australia. A few years back, Arkady performed in Nõmme sports centre which I also attended with my family and since then, I have been completely enraptured by his music and skills. I, as a french horn player myself, understand the difficulties and of course the beauty of the instrument best and I am absolutely delighted that a man like him exists to use so many different sides of the brass instruments. To master the french horn itself is very difficult, but to use the other brass so skillfully is in my opinion amaizing. I have listend to many professional french horn players around the globe, but Arkady still remains my favorite.
In modern thought, (if not in fact) Nothing is that doesn't act, So that is reckoned wisdom which Describes the scratch but not the itch. The same kind of total, configurational awareness that reveals why the medium is socially the message has occurred in the most recent and radical medical theories. In his Stress o f Life, Hans Selye tells of the dismay of a research colleague on hearing of Selye's theory: When he saw me thus launched on yet another enraptured description of what I had observed in animals treated with this or that impure, toxic material, he looked at me with desperately sad eyes and said in obvious despair: "But Selye, try to realize what you are doing before it is too late! You have now decided to spend your entire life studying the pharmacology of dirt!" (Hans Selye, The Stress o f Life) As Selye deals with the total environmental situation in his "stress" theory of disease, so the
music can be recognised only by a human being able to hear it in oneself. 2 EVALD AAV …I am sorry that I have had so limited possibility for composing for the people. But in what I have composed I have been trying to express myself in the Estonian Northern spirit. I have beaten the trail, others will follow in my footsteps. 3 First of all: to feel, to feel profoundly and enraptured and only after that to render.4 It is easy to compose intricately and ponderously. But let us try to do it as simply as possible: only then will one see how difficult and how right it is.5 EDUARD OJA It is a matter of fact that for creative work an intense psychic experience is necessary. Purely theoretical compositions leave the listener frigid and will never become popular.6
annaabi.ee 
