tõlgendus, seega iseseisev kunstiteos. Näidendi tegelaste kõne saab otseselt sõnadena lavastusse üle kanda, aga remargid tuleb sõnaliselt kujult üle kanda hääletooni, zestidesse, lavakujundusse, muusikasse. Draamatekst jätab alati ka tõlgendamisruumi & kaasaloomisvabadust nii lavastajale, näitlejatele kui ka kunstnikule. Lavastus on füüsilisel kujul olemas vaid selle ettekandmise ehk etenduse ajal. Lavastus on selle kõikide etenduste muutumatu ühisosa. (wiki) Dramaturgy is the art of dramatic composition and the representation of the main elements of drama on the stage. Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturg , to adapt a work for the stage.Dramaturgy may also be defined, more broadly, as shaping a story into a form that may be acted. Dramaturgy gives the work or the performance a structure Draama on seotud nii kirjanduse kui teatriga (&/või teiste tegevusaladega)
Rääts does not make anything out of it; it would be against his principle of variegation, abruptness and instability. This “cinematic” principle penetrates into the orchestration and disrupts its unity. About “good” or ”bad” sound one cannot speak, everything is possible. The aesthetic value of the composition has been diminished. The Latvian musicologist Dr. Arnolds Klotinsh said: This is an attempt towards variegation of musical dramaturgy... As a result we recognise a certain turn towards philosophical dramatic symphonism, though it is confined in the frame of a generalising objective mood of expression. The main shortcoming of the work is the inadequacy between the principle of free contrasting of structures and an attempt to create an extensive dramaturgic line... A broader question arises: must the wish to deepen the musical figurativeness be expressed in an application of a specific kind of symphonism? The final
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