poetry. Vaprus, jultumus, ja ülestõus hakkavad olema meie luule põhilised elemendid. The poet must spend himself with ardor, splendor, and generosity, to swell the enthusiastic fervor of the primordial elements. Poeet peab end kulutama kire, ilu, ja heldusega, et paisutada varajaste elementide entusiastlikku indu. We will destroy the museums, libraries, academies of every kind, will fight moralism, feminism, every opportunistic or utilitarian cowardice. Me hävitame muuseumid, raamatukogud, igat liiki akadeemikuid, võitleme moraali, feminismi, iga teise nõrkusi ära kasutava või utilitaarse arguse vastu.
193. Always do right. This will gratify some people and astonish the rest. 194. There are two times in a man's life when he should not speculate: when he can't afford it, and when he can. 195. The man who does not read good books has no advantage over the man who can't read them. 196. A man cannot be comfortable without his own approval. 197. I have never let my schooling interfere with my education. 198. There are several good protections against temptation, but the surest is cowardice. 199. One of the striking differences between a cat and a lie is that a cat has only nine lives. 200. The holy passion of Friendship is of so sweet and steady and loyal and enduring a nature that it will last through a whole lifetime, if not asked to lend money. 201. Clothes make the man. Naked people have little or no influence in society. 202. Let us be thankful for the fools. But for them the rest of us could not succeed. 203
growth. A common flaw in stories is that writers make heroes grow or change, but do so abruptly, in a single leap because of a single incident. Someone criticizes them or they realize a flaw, and they immediately correct it; or they have an overnight conver sion because of some shock and are totally changed at one stroke. T h i s does happen once in a while in life, but more commonly people change by degrees, growing in gradual stages from bigotry to tolerance, from cowardice to courage, from hate to love. Here is a typical character arc compared with the Hero's Journey model. CHARACTER ARC HERO'S JOURNEY 1) limited awareness of a problem Ordinary W o r l d 2 ) increased awareness Call to Adventure 3 ) reluctance to change Refusal 4 ) overcoming reluctance Meeting with the M e n t o r
something was very wrong -- and then I went straight to Carlisle, at the hospital, to tell him I was leaving." I stared in surprise. "I traded cars with him -- he had a full tank of gas and I didn't want to stop. I didn't dare to go home, to face Esme. She wouldn't have let me go without a scene. She would have tried to convince me that it wasn't necessary... "By the next morning I was in Alaska." He sounded ashamed, as if admitting a great cowardice. "I spent two days there, with some old acquaintances... but I was homesick. I hated knowing I'd upset Esme, and the rest of them, my adopted family. In the pure air of the mountains it was hard to believe you were so irresistible. I convinced myself it was weak to run away. I'd dealt with temptation before, not of this magnitude, not even close, but I was strong. Who were you, an insignificant little girl" -- he grinned suddenly -- "to chase me from the place I wanted to be? So I came back..
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