commercial advertising for imagery but makes trompe-l'oeil illusion viable again without the fantastic invention or satirical commentary of Pop Art. These artists also considered the work of earlier American art and even C17 Dutch still-life and genre painting. Exemplary artists. Chuck Close (late-C20). He did enlargements of snapshot photographs, often painted painstakingly with acrylic. He deliberately reproduces the distortions of a photograph (blurriness and focus). He reduces his humongous images to visual information about surface, depth of field, focus and scale, sans psychological factors. Richard Estes (late-C20). He produced flawlessly elegant townscapes of New York. He painted storefronts and urban panoramas. Glass in its reflections and transparency plays an important role in his works. He used photographs as the basis for his paintings but modified them. He also painted views of Paris, Florence and Venice (comparable to Canaletto)
commercial advertising for imagery but makes trompe-l'oeil illusion viable again without the fantastic invention or satirical commentary of Pop Art. These artists also considered the work of earlier American art and even C17 Dutch still-life and genre painting. Exemplary artists. Chuck Close (late-C20). He did enlargements of snapshot photographs, often painted painstakingly with acrylic. He deliberately reproduces the distortions of a photograph (blurriness and focus). He reduces his humongous images to visual information about surface, depth of field, focus and scale, sans psychological factors. Richard Estes (late-C20). He produced flawlessly elegant townscapes of New York. He painted storefronts and urban panoramas. Glass in its reflections and transparency plays an important role in his works. He used photographs as the basis for his paintings but modified them. He also painted views of Paris, Florence and Venice (comparable to Canaletto)
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