More and more people who produced films, where was more money involved. He sold his studio to a big industry. He stopped filmmaking. Lived last 20 lives in total misery, cinema had moved on and melies was more than a sidenote. People at the end of his life organised a retrospective. Wanted to shoot actuality but was interested in illusion. It is fundament that hollywood is built on. Hollywood is selling illusions. Cinema can become the theater, magicshow. Melies the first ,,auteur". Film is not like in hollywood, but the maker is an author. The keygenius to make it all happen-,,auteur". Demonstrated that feature film production can be the work of a single creative mind(not industry) Melies: wrote the scripts, controlled every aspect, in front of and behing the camera, hired the actors, took care of shooting, develping and editing of the film. The father of indipendent film . Cinem ais an art form that is controlled by an artist with a personal vision
Par rapport aux stratégies d'opposition multiculturelles, il fait figure d'illusion idéaliste. Par rapport au transculturel, il passe pour un agitateur des différences culturelles, alors qu'il faut, au contraire, souligner les ressemblances. 11 Jacques DEMORGON, « Langues et cultures comme objets et comme aventures : particulariser, généraliser, singulariser », Études de Linguistique Appliquée n° 140 octobre-décembre 2005, pp. 395-407. Voir aussi, du même auteur, deux de ses ouvrages qui nous intéressent directement ici, comme on peut s'en rendre compte à la seule lecture de leurs titres : Complexité des cultures et de l'interculturel (Paris : Anthropos, 2000, 332 p.) et Critique de l'interculturel. L'horizon de la sociologie (Paris : Economica/Anthropos, 2005, 222 p.) http://www.christianpuren.com/mes-travaux-liste-et-liens/2013b/ Page 6 sur 9
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