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ostinato. Recapitulation follows the classical rule. In the short sublime Coda clarity of thought joined with unshakeable faith rise over the tones of hopelessness. The second movement proceeds, against the classical scheme, lively and in a sunny, excited, romantic mood: Example 62. Inflectional connections with Estonian folk melodies (Violin) are also felt here. The following is based on the widening of the characteristic motifs; accentuated powerful phrases by woodwind and brass. The second image develops from the previous (Quasi moderato), preserving the principal triole movement and brightness. The Finale follows a course, not typical to the genre that has a gloomy and grave mood (Andante poco maestoso), depression and despair return. Example 63. The theme sounds like a cry of pain but the subsidiary theme brings hope and consolation. Included in the elements of the main theme, a passionate yearning and dreamy vision is appearing
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