Klassitsismis J.A.Ingres "Napoleon keisritroonil" t Turner "vihm, aur, kiirus" Turner " Temeraire viimane J. Constable "Salisbury NB! EI TEA KAS TA teekond" katedraal" MÕTLES LUMETORMI ALL SEDA MAALI!! J. Constable Heinavanker John Constable The Hay Wain C.D.Friedrch ,,Klooster C.D.Friedrich "rändur tammemetsas" udumere kohal" Goya- Alasti maja Goya- rõivastatud maja Goya -3.mai 1808 Madriidi ülestõusnute mahalaskmine Siin ja järgmisel lehel Romantism Goya- Majad rõdul Goya -Koloss Goya - Kapriisid
• NÄITEKS: põhjaeestiline aabitsatekst: o sest min-na an-nan hen-nast / min-no ih-ho ning Hin-ge / om-ma kun- nin-gast / Ül-le-mad ning Wan-ne-mad keik ris-ti rah-wast / min-no sug- gu ning Wös-sa / ning keik me min-nul on sin-no jum-ma-lik-ko hool-de ning kät-te; • NÄITEKS: lõunaeestiline aabitsatekst: o sest min-na an-na hen-dä / min-no ih-ho nink Hen-ge / nink kik me min- nul om sin-no kät-te. sin-no püh-hä en-gel ol-go min-no man / et se kur- ri Wain-lan-ne üt-te-ke Wäk-ke min-no ül-le ei löw-wä A-men. KIRJAVIIS • B.G. Forseliuse ettepanekuid kirjaviisi lihtsustamiseks: o välja heita kõik umbmäärase sisuga tähed (võõrtähed): c, f, q, v, x, y, z; o pärisnimed eestipärastada Kristus (Christus), Jaan (Johannes); o jätta ära h pikendusmärgina, nt kool - kohl, siin - sihn; o kasutada akusatiivis t-lõppu, nt jumalat; o jätta eitavas kõnes ära pöördelõpud, nt ep taha.
sest min-na an-nan hen-nast / min-no ih-ho ning Hin-ge / om-ma kun-nin-gast / Ül-le-mad ning Wan-ne-mad keik ris-ti rah-wast / min-no sug-gu ning Wös-sa / ning keik me min-nul on sin-no jum-ma-lik-ko hool-de ning kät-te; Lõunaeestiline aabitsatekst: sest min-na an-na hen-dä / min-no ih-ho nink Hen-ge / nink kik me min-nul om sin-no kät-te. sin-no püh-hä en-gel ol-go min-no man / et se kur-ri Wain-lan-ne üt-te-ke Wäk-ke min-no ül-le ei löw-wä A-men. Forselius märkas milliseid raskusi on eestlastel Stahli-pärase kirjavara omandamisega ja ta tegi paar ettepanekut: · välja heita kõik umbmäärase sisuga tähed (võõrtähed): c, f, q, v, x, y, z · pärisnimed eestipärastada Kristus (pro Christus), Jaan (pro Johannes · jätta ära h pikendusmärgina, nt kool pro kohl, siin pro sihn · kasutada akusatiivis (partitiivis) t-lõppu, nt jumalat
was very young, born of reading Yeats and so on (...) It’s not very good, though your courtesy will prevent you from agreeing (...) There are some pieces I hate very much indeed”. (2001, 50) He finds himself in a time in which the poetry seems to move towards a model that Lodge himself characterizes like “anti-modernist, readily and realistic” (1989, 119). In its beginnings, Larkin, along with Kingsley Amis, John Wain, Thom Gunn, D. J. Enright, John Holloway, Donald Davie and Elizabeth Jennings, constitute the poetic group that would denominate The Movement, and that appeared in society in 1956 with a titled anthology. If we make case to the interview that John Haffenden does to Larkin in 1981, there is no doubt that he admired Eliot (Larkin 2001, 52), although at two concrete moments he distancing radically of him:
are considered to exist in third person objective reality, without embellishment or interpretation and "in accordance with secular, empirical rules. 10. Post WWII English Literature. The age of Fear. The philosophical novel. Existentialism. Loneliness, impossibility of communication. Existence vs. being. Post WWII English Literature. Two tendencies in post WWII fiction. 1.The angry young men. John wain, kingley amis. John osborn ,,look back in anger". · The working class novel. Alan sillitoe, david storey. John braine ,,room at the top". · Red-brick university education, intellectuality advanced, socially mobile; wasted time in the war-all rooms at the top taken-anger. 2.The philosophical novel. Existentsialism. Wiliam golding and iris murdoch. Fear-economic difficulties-aid from usa.intrusion of American lifestyle and mass-culture. Consumer society
Chocolate Points also appeared in Siamese litters and were for many years considered "poorly marked" Seal Points. In the USA at the end of the 1960s, breeders in Britain and the USA were working with different colours of Siamese-type cats e.g. ebonies, reds, chestnuts and lavender. Lynx-points (tabby points) were being bred in Britain. Because blue-pointed Siamese appeared spontaneously in seal-point litters, they were known as "sports" or "freaks". In 1896 Louis Wain, father of the modern cat show, refused to judge a Siamese on grounds that it was blue rather than seal. When the first book on Siamese was written by Phil Wade she wrote, ‘"Even the best blue pointed cannot, I think, equal the beauty of our seal pointed cats and I can see no real object in trying to breed them. Their value at the moment is their scarcity, but I cannot believe there will ever be a great demand for them." Tabby Point Siamese had been mentioned as early as 1902 in Britain
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