There are those affixes that are negative, indicating the absence of some quality, they are very expressive (e.g. "motherless / fatherless" are more expressive than "orphan"). Their expressiveness is based on the fact that negation shows that ties between elements are possible yet do not exist. The romantic writers tend to bring together adjectives with these affixes and the text becomes very emotional (e.g. "He was unmoved, unshaken, unterrifyed." sounds more emotional than: "He was calm and brave.") Diminutive suffixes either express the small size or add a positive, humorous and sometimes a contemptuous colouring: -let- (e.g. starlet, chicklet, etc.) -kin- (e.g. lambkin, etc.) -ling- (e.g. weakling, etc.) -ette- (e.g. kitchenette, etc.) -y / ie-(e.g. daddy, etc.)
HAMLET [Aside] Wormwood, wormwood. Player Queen The instances that second marriage move Are base respects of thrift, but none of love: A second time I kill my husband dead, When second husband kisses me in bed. Player King I do believe you think what now you speak; But what we do determine oft we break. Purpose is but the slave to memory, Of violent birth, but poor validity; Which now, like fruit unripe, sticks on the tree; But fall, unshaken, when they mellow be. Most necessary 'tis that we forget To pay ourselves what to ourselves is debt: What to ourselves in passion we propose, The passion ending, doth the purpose lose. The violence of either grief or joy Their own enactures with themselves destroy: Where joy most revels, grief doth most lament; Grief joys, joy grieves, on slender accident. This world is not for aye, nor 'tis not strange 101
Her astonishment at his coming--at his coming to Netherfield, to Longbourn, and voluntarily seeking her again, was almost equal to what she had known on first witnessing his altered behaviour in Derbyshire. The colour which had been driven from her face, returned for half a minute with an additional glow, and a smile of delight added lustre to her eyes, as she thought for that space of time that his affection and wishes must still be unshaken. But she would not be secure. "Let me first see how he behaves," said she; "it will then be early enough for expectation." She sat intently at work, striving to be composed, and without daring to lift up her eyes, till anxious curiosity carried them to the face of her sister as the servant was approaching the door. Jane looked a little paler than usual, but more sedate than Elizabeth had expected. On the gentlemen's appearing, her colour increased; yet she received them with tolerable
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