ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.
ARTUR LEMBA: THE BEGINNING OF
ESTONIAN SYMPHONY AND OPERA.
III. NEW DEVELOPMENTS IN CULTURAL AND MUSICAL LIFE:
THE END OF THE TSARIST PERIOD.
THE INDEPENDENT REPUBLIC OF ESTONIA: THE INTRODUCTION OF
INNOVATIONS FROM WESTERN ART AND THE EVOLUTION OF
NATIONALLY ORIENTED MUSICAL TRENDS.
IV. THE TWENTIES. ARTUR KAPP: ROMANTICIST AND DRAMATIST.
V. THE INFLUENCE OF NEW WESTERN MUSICAL TRENDS. HEINO ELLER: A
PROGRAMME PAINTER.
VI. THE THIRTIES. THE WIDENING OF NATIONAL SYMPHONISM. THE RISE OF
ATTENTION TO HISTORY AND FOLKLORE: JUHAN AAVIK, EDUARD TUBIN,
EUGEN KAPP.
VII. FURTHER MATURING OF SYMPHONIC MUSIC: HEINO ELLER, EVALD AAV,
EDUARD TUBIN. THE FIRST ESTONIAN BALLET. SUMMARY OF THE
REPUBLICAN PERIOD.
HALF A CENTURY UNDER SOVIET OCCUPATION. IDEOLOGY OVER MUSIC.
EXTENSIVE INFLUX OF CONTEMPORARY TRENDS.
VIII. THE FORTIES. TRANSFORMATION OF ESTONIAN LIFE. THE WAR-TIME
SYMPHONIC OUTPUT.
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