ESTONIAN SYMPHONIC MUSIC. THE FIRST CENTURY 1896-1996.
An essential feature of the young Tamberg is the incessant renovation of metrics
and rhythm; all this variety and waltzing creates his individual style. Thorough
modulation of rhythm and inflection are recognisable in all modifications, indicating a
true symphonic treatment. In the third dance, though there are some dance-like
episodes, one can hardly perceive the dancing essence; the music is symphonic. As new
features are introduced by Tamberg, the intensity and suggestiveness of his language, a
1
First performed by ERSO, 4 Apr. 1958, conducted by Sergey Prokhorov.
peculiar treatment of folk tunes, surpassing genre limitations by real symphonism,
enhancing the colouring of the texture must be mentioned. Contemporary critics found
the music to be full-blooded, possessing gallant humour, sharp wit and whirling swing.
The Ballet-Symphony is not only a symphonic poem but also the first Estonian
ballet music depicting a contemporary maiden’s internal world