Christopher Vogler The Writers Journey
members of the culture.
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EPILOGUE: LOOKING BACK ON THE JOURNEY
Like its epic predecessors, the Iliad, the Odyssey, the Aeneid, the Arthurian
romances, or the R i n g Cycle of Wagner, Titanic tells part of a vast story, the bridg
ing of two worlds, the O l d W o r l d and the New. W i t h i n these enormous supertales
are hundreds of substories and epic cycles, each with its own dramatic structure and
completeness. N o single work can tell all the threads, but the individual story can
communicate the sense, the dramatic facts, of the entire situation. Titanic has been
criticized for not dramatizing this or that substory — the Carpathia's race to the
scene, the stories of the Astors and Guggenheims, the difficulties of the telegrapher
in getting out distress calls, etc. But no film could tell all the substories. Storytellers