of the first or second beats, or both of them. To add to the emotional colouring of the text, a lot of metaphors and epithets have been used. Some more outstanding epithets include "And baleful he burst in his blatant rage", "Hardy heroes", "Fiendish claw", "Hideous fiend", "Outlaw dire" One can find several kennings, typical Anglo-Saxon compound metaphors, such as "From captive of hell", "Shepherd-of-evils", "Hardy-in-fight", "The bone-frame", "Keen-souled" etc. In addition to kennings there are also many ordinary metaphors like "The accursed" and "The outlaw", these two referring to Grendel. For the sake of emphasis, parallelism has been brought to play. The repetition of the same idea is a constantly used stylistic device. For example "No keenest blade, no farest of falchions", "That here was the last of life, an end of his days on earth", "Swallowed him piecemeal: swiftly thus the lifeless corse was clean devoured" have
understanding of cryptography and cryptanalysis. Whether this comprehension springs from the scientific ability that has enabled Russia to orbit great artificial satellites, or from the decades-long experience of cryptology that the Communist dictators have had to practice for self-preservation and aggrandizement, or from the habits of secrecy and puzzling out the real meaning of things that are ingrained into every inhabitant of a totalitarian society, or from a dark-souled Slavic love of the mysterious, it has beyond question rocketed Red accomplishments in this black art to Sputnik height. . 17. N. S. A. IT HAS BEEN said that 90 per cent of all the scientists who have ever lived are living today. The remark applies to cryptology with even greater force. The age is one of communications and of Cold War. The titans that confront one another in Berlin and Vietnam and outer space owe much
annaabi.ee 
