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Christopher Vogler The Writers Journey
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Christopher Vogler The Writers Journey

viewers can measure themselves. People can enjoy speculating, from the safety of their seats, on how they would act in a similar situation. How would I have handled the challenge of the Titanic? W o u l d I face death with honor and courage, or would I panic and act with selfish frenzy? W o u l d I fight for life or would I sacrifice my place in the lifeboat so women and children could go first? T h e movie has the fascination of a train wreck or a highway smashup. It's natural to contemplate and compare when we see such a disaster, to measure our own luck against that of the victims. W e watch with compassion but also with relief that we are not among the suffering. W e seek lessons and make conclusions about fate and honor from what we see. People describe certain movies as spectacular, but forget that the word comes from the ancient R o m a n spectacles, which were ritual dramas, combats, races, games,

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